Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
I will not excuse, but justify, myself for one pretended crime with which
I am liable to be charged by false critics, not only in this translation,
but in many of my original poems—that I Latinise too much. It is true,
that when I find an English word significant and sounding, I neither
borrow from the Latin nor any other language; but when I want at home, I
must seek abroad. If sounding words are not of our growth and
manufacture, who shall hinder me to import them from a foreign country?
I carry not out the treasure of the nation which is never to return, but
what I bring from Italy I spend in England. Here it remains and here it
circulates, for if the coin be good it will pass from one hand to
another. I trade both with the living and the dead for the enrichment of
our native language. We have enough in England to supply our necessity;
but if we will have things of magnificence and splendour, we must get
them by commerce. Poetry requires ornament, and that is not to be had
from our old Teuton monosyllables; therefore, if I find any elegant word
in a classic author, I propose it to be naturalised by using it myself;
and if the public approves of it, the bill passes. But every man cannot
distinguish betwixt pedantry and poetry; every man, therefore, is not fit
to innovate.
Upon the whole matter, a poet must first be certain that the word he
would introduce is beautiful in the Latin; and is to consider, in the
next place, whether it will agree with the English idiom. After this he
ought to take the opinion of judicious friends, such as are learned in
both languages; and lastly, since no man is infallible, let him use this
licence very sparingly; for if too many foreign words are poured in upon
us, it looks as if they were designed not to assist the natives, but to
conquer them.
I am now drawing towards a conclusion, and suspect your lordship is very
glad of it. But permit me first to own what helps I have had in this
undertaking. The late Earl of Lauderdale sent me over his new
translation of the “Æneis,” which he had ended before I engaged in the
same design. Neither did I then intend it; but some proposals being
afterwards made me by my bookseller, I desired his lordship’s leave that
I might accept them, which he freely granted, and I have his letter yet
to show for that permission. He resolved to have printed his work, which
he might have done two years before I could publish mine; and had
performed it, if death had not prevented him. But having his manuscript
in my hands, I consulted it as often as I doubted of my author’s sense,
for no man understood Virgil better than that learned nobleman. His
friends, I hear, have yet another and more correct copy of that
translation by them, which had they pleased to have given the public, the
judges must have been convinced that I have not flattered him.
Public-domain text, read in full here on John Shaqi.
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