Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
Now what these wicked spirits cannot compass by the vast disproportion of
their forces to those of the superior beings, they may by their fraud and
cunning carry farther in a seeming league, confederacy, or subserviency
to the designs of some good angel, as far as consists with his purity to
suffer such an aid, the end of which may possibly be disguised and
concealed from his finite knowledge. This is indeed to suppose a great
error in such a being; yet since a devil can appear like an angel of
light, since craft and malice may sometimes blind for a while a more
perfect understanding; and lastly, since Milton has given us an example
of the like nature, when Satan, appearing like a cherub to Uriel, the
intelligence of the sun, circumvented him even in his own province, and
passed only for a curious traveller through those new-created regions,
that he might observe therein the workmanship of God and praise Him in
His works—I know not why, upon the same supposition, or some other, a
fiend may not deceive a creature of more excellency than himself, but yet
a creature; at least, by the connivance or tacit permission of the
Omniscient Being.
Thus, my lord, I have, as briefly as I could, given your lordship, and by
you the world, a rude draught of what I have been long labouring in my
imagination, and what I had intended to have put in practice (though far
unable for the attempt of such a poem), and to have left the stage, to
which my genius never much inclined me, for a work which would have taken
up my life in the performance of it. This, too, I had intended chiefly
for the honour of my native country, to which a poet is particularly
obliged. Of two subjects, both relating to it, I was doubtful—whether I
should choose that of King Arthur conquering the Saxons (which, being
farther distant in time, gives the greater scope to my invention), or
that of Edward the Black Prince in subduing Spain and restoring it to the
lawful prince, though a great tyrant, Don Pedro the Cruel—which for the
compass of time, including only the expedition of one year; for the
greatness of the action, and its answerable event; for the magnanimity of
the English hero, opposed to the ingratitude of the person whom he
restored; and for the many beautiful episodes which I had interwoven with
the principal design, together with the characters of the chiefest
English persons (wherein, after Virgil and Spenser, I would have taken
occasion to represent my living friends and patrons of the noblest
families, and also shadowed the events of future ages in the succession
of our imperial line)—with these helps, and those of the machines which I
have mentioned, I might perhaps have done as well as some of my
predecessors, or at least chalked out a way for others to amend my errors
in a like design; but being encouraged only with fair words by King
Charles the Second, my little salary ill paid, and no prospect of a
future subsistence, I was then discouraged in the beginning of my
Public-domain text, read in full here on John Shaqi.
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