Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
There has been a long dispute among the modern critics whether the Romans
derived their satire from the Grecians or first invented it themselves.
Julius Scaliger and Heinsius are of the first opinion; Casaubon,
Rigaltius, Dacier, and the publisher of Dauphin’s Juvenal maintain the
latter. If we take satire in the general signification of the word, as
it is used in all modern languages, for an invective, it is certain that
it is almost as old as verse; and though hymns, which are praises of God,
may be allowed to have been before it, yet the defamation of others was
not long after it. After God had cursed Adam and Eve in Paradise, the
husband and wife excused themselves by laying the blame on one another,
and gave a beginning to those conjugal dialogues in prose which the poets
have perfected in verse. The third chapter of Job is one of the first
instances of this poem in Holy Scripture, unless we will take it higher,
from the latter end of the second, where his wife advises him to curse
his Maker.
This original, I confess, is not much to the honour of satire; but here
it was nature, and that depraved: when it became an art, it bore better
fruit. Only we have learnt thus much already—that scoffs and revilings
are of the growth of all nations; and consequently that neither the Greek
poets borrowed from other people their art of railing, neither needed the
Romans to take it from them. But considering satire as a species of
poetry, here the war begins amongst the critics. Scaliger, the father,
will have it descend from Greece to Rome; and derives the word “satire”
from Satyrus, that mixed kind of animal (or, as the ancients thought him,
rural god) made up betwixt a man and a goat, with a human head, hooked
nose, pouting lips, a bunch or struma under the chin, pricked ears, and
upright horns; the body shagged with hair, especially from the waist, and
ending in a goat, with the legs and feet of that creature. But Casaubon
and his followers, with reason, condemn this derivation, and prove that
from Satyrus the word _satira_, as it signifies a poem, cannot possibly
descend. For _satira_ is not properly a substantive, but an adjective;
to which the word _lanx_ (in English a “charger” or “large platter”) is
understood: so that the Greek poem made according to the manners of a
Satyr, and expressing his qualities, must properly be called satirical,
and not satire. And thus far it is allowed that the Grecians had such
poems, but that they were wholly different in species from that to which
the Romans gave the name of satire.
Public-domain text, read in full here on John Shaqi.
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