Thus both Horace and Quintilian give a kind of primacy of honour to Lucilius amongst the Latin satirists; for as the Roman language grew more refined, so much more capable it was of receiving the Grecian beauties, in his time. Horace and Quintilian could mean no more than that Lucilius writ better than Ennius and Pacuvius, and on the same account we prefer Horace to Lucilius. Both of them imitated the old Greek comedy; and so did Ennius and Pacuvius before them. The polishing of the Latin tongue, in the succession of times, made the only difference; and Horace himself in two of his satires, written purposely on this subject, thinks the Romans of his age were too partial in their commendations of Lucilius, who writ not only loosely and muddily, with little art and much less care, but also in a time when the Latin tongue was not yet sufficiently purged from the dregs of barbarism; and many significant and sounding words which the Romans wanted were not admitted even in the times of Lucretius and Cicero, of which both complain. But to proceed: Dacier justly taxes Casaubon for saying that the satires of Lucilius were wholly different in species from those of Ennius and Pacuvius, Casaubon was led into that mistake by Diomedes the grammarian, who in effect says this:—“Satire amongst the Romans but not amongst the Greeks, was a biting invective poem, made after the model of the ancient comedy, for the reprehension of vices; such as were the poems of Lucilius, of Horace, and of Persius. But in former times the name of satire was given to poems which were composed of several sorts of verses, such as were made by Ennius and Pacuvius”—more fully expressing the etymology of the word satire from _satura_, which we have observed. Here it is manifest that Diomedes makes a specifical distinction betwixt the satires of Ennius and those of Lucilius. But this, as we say in English, is only a distinction without a difference; for the reason of it is ridiculous and absolutely false. This was that which cozened honest Casaubon, who, relying on Diomedes, had not sufficiently examined the origin and nature of those two satires, which were entirely the same both in the matter and the form; for all that Lucilius performed beyond his predecessors, Ennius and Pacuvius, was only the adding of more politeness and more salt, without any change in the substance of the poem. And though Lucilius put not together in the same satire several sorts of verses, as Ennius did, yet he composed several satires of several sorts of verses, and mingled them with Greek verses: one poem consisted only of hexameters, and another was entirely of iambics; a third of trochaics; as is visible by the fragments yet remaining of his works. In short, if the satires of Lucilius are therefore said to be wholly different from those of Ennius because he added much more of beauty and polishing to his own poems than are to be found in those before him, it will follow from hence