Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
death of Turnus), the poet durst not carry the miracle too far and
restore him wholly to his former vigour; he was still too weak to
overtake his enemy, yet we see with what courage he attacks Turnus when
he faces and renews the combat. I need say no more, for Virgil defends
himself without needing my assistance, and proves his hero truly to
deserve that name. He was not, then, a second-rate champion, as they
would have him who think fortitude the first virtue in a hero.
But being beaten from this hold, they will not yet allow him to be
valiant, because he wept more often, as they think, than well becomes a
man of courage.
In the first place, if tears are arguments of cowardice, what shall I say
of Homer’s hero? Shall Achilles pass for timorous because he wept, and
wept on less occasions than Æneas? Herein Virgil must be granted to have
excelled his master; for once both heroes are described lamenting their
lost loves: Briseis was taken away by force from the Grecians, Creusa was
lost for ever to her husband. But Achilles went roaring along the salt
sea-shore, and, like a booby, was complaining to his mother when he
should have revenged his injury by arms: Æneas took a nobler course; for,
having secured his father and his son, he repeated all his former dangers
to have found his wife, if she had been above ground. And here your
lordship may observe the address of Virgil; it was not for nothing that
this passage was related, with all these tender circumstances. Æneas
told it, Dido heard it. That he had been so affectionate a husband was
no ill argument to the coming dowager that he might prove as kind to her.
Virgil has a thousand secret beauties, though I have not leisure to
remark them.
Segrais, on this subject of a hero’s shedding tears, observes that
historians commend Alexander for weeping when he read the mighty actions
of Achilles; and Julius Cæsar is likewise praised when out of the same
noble envy, he wept at the victories of Alexander. But if we observe
more closely, we shall find that the tears of Æneas were always on a
laudable occasion. Thus he weeps out of compassion and tenderness of
nature when in the temple of Carthage he beholds the pictures of his
friends who sacrificed their lives in defence of their country. He
deplores the lamentable end of his pilot Palinurus, the untimely death of
young Pallas his confederate, and the rest which I omit. Yet even for
these tears his wretched critics dare condemn him; they make Æneas little
better than a kind of St. Swithin hero, always raining. One of these
censors was bold enough to argue him of cowardice, when in the beginning
of the first book he not only weeps, but trembles, at an approaching
storm:—
“_Extemplo Æneæ solvuntur frigore membra_:
_Ingemit_, _et duplices tendens ad sidera palmas_,” &c.
Public-domain text, read in full here on John Shaqi.
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