Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
Where he plainly acknowledges that he could not save his own son, or
prevent the death which he foresaw. Of his power to defer the blow, I
once occasionally discoursed with that excellent person Sir Robert
Howard, who is better conversant than any man that I know in the doctrine
of the Stoics, and he set me right, from the concurrent testimony of
philosophers and poets, that Jupiter could not retard the effects of
fate, even for a moment; for when I cited Virgil as favouring the
contrary opinion in that verse—
“_Tolle fugâ Turnum_, _atque instantibus eripe fatis_”—
he replied, and I think with exact judgment, that when Jupiter gave Juno
leave to withdraw Turnus from the present danger, it was because he
certainly foreknew that his fatal hour was not come, that it was in
destiny for Juno at that time to save him, and that himself obeyed
destiny in giving her that leave.
I need say no more in justification of our hero’s courage, and am much
deceived if he ever be attacked on this side of his character again. But
he is arraigned with more show of reason by the ladies, who will make a
numerous party against him, for being false to love in forsaking Dido;
and I cannot much blame them, for, to say the truth, it is an ill
precedent for their gallants to follow. Yet if I can bring him off with
flying colours, they may learn experience at her cost; and for her sake
avoid a cave as the worse shelter they can choose from a shower of rain,
especially when they have a lover in their company.
In the first place, Segrais observes with much acuteness that they who
blame Æneas for his insensibility of love when he left Carthage,
contradict their former accusation of him for being always crying,
compassionate, and effeminately sensible of those misfortunes which
befell others. They give him two contrary characters; but Virgil makes
him of a piece, always grateful, always tender-hearted. But they are
impudent enough to discharge themselves of this blunder by laying the
contradiction at Virgil’s door. He, they say, has shown his hero with
these inconsistent characters—acknowledging and ungrateful, compassionate
and hard-hearted, but at the bottom fickle and self-interested; for Dido
had not only received his weather-beaten troops before she saw him, and
given them her protection, but had also offered them an equal share in
her dominion:—
“_Vultis et his mecum pariter considere regnis_?
_Urbem quam statuo_, _vesra est_.”
This was an obligement never to be forgotten, and the more to be
considered because antecedent to her love. That passion, it is true,
produced the usual effects of generosity, gallantry, and care to please,
and thither we refer them; but when she had made all these advances, it
was still in his power to have refused them. After the intrigue of the
cave—call it marriage, or enjoyment only—he was no longer free to take or
leave; he had accepted the favour, and was obliged to be constant, if he
would be grateful.
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