At the upper or southern ends of the two parallel chambers just described, were entrances opening into a room 82 feet by 24, whose walls were of the same unsculptured limestone. From it a portal formed by winged lions in the same material, led into an apartment 76 feet by 26, standing on the edge of the mound, and consequently one of the last on this side of the palace. Only six slabs, neither of them entire, remained against its walls; the rest had been purposely destroyed and the fragments used for the foundations of a building raised over the Assyrian ruins. They were covered from top to bottom with small figures, most elaborately carved, and designed with great spirit. Although bearing a general resemblance to the bas-reliefs of Kouyunjik, there was sufficient in the style of art and in the details, to show that they were not of exactly the same period. Fortunately several epigraphs still remained over the principal groups, and enable us to determine to what monarch the sculptures belong, and to identify the events and incidents they portray. The three slabs to the right of the winged lions on entering, were occupied by a highly curious representation of a battle. The subject was incomplete, and could not be restored; and from the number of figures introduced, and the complicated nature of the action, it is difficult to describe these important bas-reliefs intelligibly. Above one of the groups of figures was an epigraph, unfortunately much mutilated, which recorded the slaughter of a king, whose name was (? Tiranish), and who, we learn from other inscriptions on the same sculptures, reigned over Elam, or Susiana. The lines being incomplete, the meaning of the whole inscription is not quite clear. Behind the cart with the Assyrian warriors, was the tent of the registrar, to which had been led a captive chief and his two attendants. Within were collected a heap of human heads, whilst warriors were bringing more of these bloody trophies to the appointed scribes. Several of the captives were apparently about to undergo some dreadful torture; with their hands manacled in iron fetters, they knelt over an object which might be a chafing-dish with hot coals or a vessel to receive their blood. One of the torturers held his victim by a collar round his neck; whilst a second, seizing the unfortunate prisoner by the hair, was about to strike him with ah iron-headed mace. The epigraphs declare that the war recorded by these sculptures was undertaken by an Assyrian king, whose image was represented on a slab not yet described, against the people of Elam or Susiana. It is of considerable importance thus to identify the conquered people, and to be able to ascertain the costume, the arms, and the mode of warfare of a nation well known in ancient history.