Amongst the captives were men clothed in fringed robes and a short under-tunic: these were probably the lords of the land. The women wore their hair in curls, falling on their shoulders, and bound above the temples by a band or fillet. Some had one long ringlet on each side of the face. Their children were either naked or clothed in simple shirts. The Assyrian troops were divided into cavalry and foot. The horsemen carried the bow and spear, and wore coats of mail, high greaves, and the pointed helmet, that characteristic part of the Assyrian military costume from the earliest period. Their horses were covered with clothes, and even, it would seem, with a kind of leather armour, reaching from the head to the tail, to protect them from the arrows of the enemy.[181] The costumes of the footmen, as in the bas-reliefs of Sennacherib, varied according to their arms. The archers, probably auxiliaries from different tribes in alliance with the Assyrians, were dressed in very short tunics scarcely covering the thigh. A broad belt, with the fringed ornament peculiar to the later Assyrian period, encircled their waist, and over their shoulders they wore a cross belt, of chequered cloth, resembling a Scottish plaid, to support the quiver. Their hair, confined by a plain fillet, was rolled up behind in one large curl. All the spearmen had the pointed helmet; but some wore coats of mail and metal greaves, and others a simple tunic, without any covering to their legs. Their shields protected nearly the whole person, and were rounded at the top and straight at the bottom. Some appear to have been faced with small square pieces of leather, others to have been made entirely of metal, with embossed edges. For the first time we see in these bas-reliefs, the Assyrians using the battle-axe and the mace in battle. On the opposite side of the lion-entrance were also three slabs, but better preserved than those I have just described. They formed part of the same subject, which had evidently been carried round the four walls of the chamber. They represented the triumph of the Assyrian king, and, like the battle scenes, were divided by horizontal lines into several bands or friezes. The monarch stood in his chariot, surrounded by his body-guard. Unfortunately his face, with those of the charioteer and the eunuch bearing the parasol, had been purposely defaced, like that of Sennacherib on his monuments, probably when the united armies of the Medes and Babylonians destroyed the palace. The royal robes were profusely adorned with rosettes and fringes.