In front of the chariot were two warriors or guards in embroidered robes and greaves. Their long hair was bound by a fillet, whose tasselled ends fell loose behind. They were preceded by two remarkable figures, both eunuchs, and probably intended for portraits of some well-known officers of the royal household. One was old and corpulent; his forehead was high and ample; his nose curved and small, and his chin round and double. The wrinkles of the brow, the shaggy eyebrows, and the bloated cheeks, with the stubble beard peculiar to beings of his class, were very faithfully represented. His short hair was tied with a fillet. His companion was younger, and had not the same marked features. He carried before him a square object resembling a closed box or book, perhaps a clay tablet containing some decree or register, such as were discovered in the ruins. Both wore long plain shirts, and round their waists a simple cord, in which was fixed a whip, probably a sign of their office. Above this remarkable group was an inscription in eight lines fortunately almost entire. From it we learn the name of the king, whose deeds were thus recorded. He was the son of Essarhaddon, and the grandson of Sennacherib, and the conqueror of Susiana. He was the Assordanes of the chronological tables, and his name begins with the monogram for the Assyrian deity, Asshur. These bas-reliefs record his conquest of the country of (Nuvaki ?), a name by which Susiana or Elymais was anciently known; as we also find from the inscriptions at Khorsabad, as well as from those of Bisutun. It is highly probable that we have, in the bas-relief, a representation of the city of Susa or Shusan. Its position between two rivers well agrees with that of existing ruins generally believed to mark its site. The smaller stream would be the Shapour, and the larger the Euloeus or river of Dizful. The city was surrounded by a wall, with equidistant towers and gateways. The houses were flat roofed, and some had one tower or upper chamber, and others two. They had no windows, and their doors were square. Thus, in general form, and probably in the interior arrangements, they closely resembled the common dwellings of the Egyptians, of which a very interesting model is now in the British Museum.[182] Nor were they unlike the meaner houses of the modern town of Shushter, the representative of ancient Susa.