Stand up, foolish maiden, and listen; and know, in one word, that
sin, for which the spirit of man is punished with the vengeance of
heaven, lieth not in the corporal act, but in the thought of the
sinner. Believe, lovely Phoebe, that to the pure all acts are pure,
and that sin is in our thought, not in our actions, even as the
radiance of the day is dark to a blind man but seen and enjoyed by
him whose eyes receive it. To him who is but a novice in the things
of the spirit much is enjoined, much is prohibited; and he is fed
with milk fit for babes--for him are ordinances, prohibitions, and
commands. But the saint is above all these ordinances and
restraints. To him, as to the chosen child of the house, is given
the pass-key to open all locks which withhold him from the enjoyment
of his heart's desire. Into such pleasant paths will I guide thee,
lovely Phoebe, as shall unite in joy, in innocent freedom, pleasures
which, to the unprivileged, are sinful and prohibited.
So when a journalist with no strong original predisposition to swear to
his own hurt shall have gained high public distinction by his fertility
in falsehoods for consumption by an enemy in the field, the fishes that
tipple in the deep may well "know no such liberty" as this expert in
fiction will allow himself when restored to his own more intoxicating
element.
The general addition of prestige to the controversial device of giving
false impressions and raising false issues would naturally be immense.
To argue any case merely on its merits and on the facts would seem to
the admirers of the new way a kind of virtuous imbecility. In what great
industrial dispute or political campaign, in what struggle between great
financial interests, would both sides, or either, forego the use of
munitions so formidable? Such conflicts might almost wholly cease to be
competitions in serious argument at all; they might become merely trials
of skill in fantastic false pretences, and of expertness in the morbid
psychology of credulity.
Public-domain text, read in full here on John Shaqi.
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