Dissertation on the Progress of the Fine ArtsScott, John Robert
Philosophy
Dissertation on the Progress of the Fine Arts
Scott, John Robert
Aesthetics; Art; Art and society -- Greece; Art patronage -- Great Britain; Art patronage -- Greece; Arts, British; Arts, Greek
The expectations formed of the enjoyments to be derived from the
masterly productions of these Arts have in no one instance been
disappointed; but, we may assert without fear of contradiction, have in
every case been greatly exceeded: for though the emanations of the arts,
with the single exception of the Apollo Belvedere, may have fallen short
of that ideal excellence which forms their standard in each duly
cultivated mind, as, in the department of literature, the great Roman
orator states to have been the case with his own admirable compositions,
they have yet confessedly arrived at a degree of beauty, a splendor of
effect, and a power of impression, hardly to be hoped, and not easily
to be conceived.
Should it then be demanded, what causes produced this transcendent
beauty, this unrivalled grace, this combination of pleasing form and
perfect utility? They will be found, not in any fortuitous concurrence
of accidents, not in any benign aspect of the planets, not in any genial
influence of the atmosphere, as has been weakly imagined and absurdly
asserted by certain self-denominated Philosophers of the continent; but
to have been the effects of much labour and much pains, of much study
and much industry, of great national encouragement, and of the peculiar
situation of that fortunate land wherein they were advanced from their
salient principle to their matured perfection.
To confine ourselves to Greece, with which and its history, by means of
its incomparable writers, we are best acquainted: the first striking
circumstance in their favour was, that in it they were not borrowed, nor
imported, nor caused by foreign imitation, but were the home-bred
produce of the country; and therefore, however cultivated and improved,
always retained the rich raciness of a native soil. Successive
generations of artists arose, each excelling the other in merit, and
each of these had a correspondent race of their countrymen ready to
admire, and prepared to applaud them. No fastidious delicacy, no
affected superiority of discernment or skill, repressed their talents,
or curbed their genius: but free scope was given to the boldest of their
flights, and, when they happened to succeed, the praise of their own age
was their sure and adequate reward. The productions of the earlier
periods would not have, indeed, pleased in the polished age of Pericles,
unless as illustrative of the progress of the arts; for then more
captivating models were every day produced, more enchanting examples
were every day exhibited to the view. But in their own age, and their
own time, being superior to all that had been seen before, they were
thought matchless performances, and so received with undisputed
plaudits the highest estimation. This connate temper of the times (if I
may use the expression) proved a most powerful incentive to the
abilities of the artists, and ensured to them, if surpassing in merit
their predecessors, honourable regard, and that fame[f] which above all
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account