Dissertation on the Progress of the Fine Arts — John Shaqi
Dissertation on the Progress of the Fine ArtsScott, John Robert
Philosophy
Dissertation on the Progress of the Fine Arts
Scott, John Robert
Aesthetics; Art; Art and society -- Greece; Art patronage -- Great Britain; Art patronage -- Greece; Arts, British; Arts, Greek
The final result then of our enquiry on this amusing and interesting
subject is, that we have the best grounds for concluding the progress of
the arts originally, and the great perfection to which they were carried
in Greece, to have arisen from natural and moral causes of confessed
efficacy, and not from any casual circumstances, extraneous to and
independent of man: and we deem it reasonable to think that the same
causes, operating as uncontroledly any where else within the extent of
the temperate climates, would most probably again produce the same
effects. Far from indulging any licence of imagination, or from giving
wing to its flights, it has been endeavoured rather carefully to detail
facts than wantonly to invent systems. Of the evidence, which to us has
appeared convincing, the public will judge: of the rectitude of our
intention in producing it we are sure, for it is only to incite public
reward, to encourage study, and labour, and industry.
William Andrews Clark Memorial Library: University of California
THE AUGUSTAN REPRINT SOCIETY
_General Editors_
R. C. BOYS
University of Michigan
VINTON A. DEARING
University of California, Los Angeles
RALPH COHEN
University of California, Los Angeles
LAWRENCE CLARK POWELL
Wm. Andrews Clark Memorial Library
_Corresponding Secretary_: Mrs. EDNA C. DAVIS,
Wm. Andrews Clark Memorial Library
The Society exists to make available inexpensive reprints (usually
facsimile reproductions) of rare seventeenth and eighteenth century
works. The editorial policy of the Society remains unchanged. As in the
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* * * * *
Publications for the eighth year [1953-1954]
(At least six items, most of them from the following list, will be
reprinted.)
JOHN BAILLIE: _An Essay on the Sublime_ (1747). Introduction by
Samuel H. Monk.
Contemporaries of the _Tatler_ and _Spectator_. Introduction by
Richmond P. Bond.
_John Dart and George Ogle on Chaucer._ Introduction by William L.
Alderson.
Public-domain text, read in full here on John Shaqi.
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