Dissertations on the English Language, with Notes, Historical and Critical;: to Which is Added, by Way of Appendix, an Essay on a Reformed Mode of Spelling, With Dr. Franklin's Arguments on that SubjectWebster, Noah
General
Dissertations on the English Language, with Notes, Historical and Critical;: to Which is Added, by Way of Appendix, an Essay on a Reformed Mode of Spelling, With Dr. Franklin's Arguments on that Subject
Webster, Noah
English language -- Early works to 1800; English language -- Grammar -- Early works to 1800; Spelling reform -- Early works to 1800
We cannot pronounce more than two unaccented syllables with perfect
ease; but four or five can hardly be articulated without an intervening
accent. We glide over the unaccented syllables with such rapidity, that
we have hardly time to place the organs in a position to articulate
them. The difficulty is in proportion to the number: So that after
passing over two or three, the voice very naturally rests or falls
forceably upon a particular syllable. Hence the words most difficult
to be pronounced, are those of four syllables, accented on the first;
as _figurative_, _literature_, _applicable_. The difficulty is very
great, when the middle syllables abound with consonants, even in
trissyllables, as _ag'grandize_; but is itself a sufficient reason for
not accenting the first syllable of such words as _acceptable_ and
_refractory_. When one of the words which have the accent on the first,
and three succeeding unaccented syllables, is followed by two or three
particles, the passage is weak and often occasions hesitation in a
speaker; as "_applicable to the affairs of common life_."
A remarkable instance of this, we find in Priestley's Preface to
Letters to a Philosophical Unbeliever; "Whether of a _pleasureable or
of a_ painful nature." In this example there are six weak syllables
following each other without interruption, and such passages are not
reduceable to any kind of poetic feet. This assemblage of unimportant
syllables makes a hiatus in language, which should, as far as possible,
be avoided by a writer; for the melody of prose consists in a proper
mixture of important and unimportant syllables.[46][K]
DIFFERENCES _of_ PRONUNCIATION _and_ CONTROVERTED POINTS EXAMINED.
Having laid down some general rules reflecting pronunciation, I
proceed to examin local differences, and the most material points of
controversy on this subject.
In the eastern states, there is a practice prevailing among the body of
the people, of prolonging the sound of _i_ in the termination _ive_.
In such words as _motive_, _relative_, &c. the people, excepting the
more polished part, give _i_ its first sound. This is a local practice,
opposed to the general pronunciation of the English on both sides
of the Atlantic, sometimes to the rules of accent, and always to
derivation. In dissyllables, as _motive_, _active_, the genius of our
language requires that the accent should be laid on _one_ syllable, and
that the other should be short.[47] But by prolonging _i_ in the last,
the distinction of accent is totally destroyed.
Public-domain text, read in full here on John Shaqi.
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