Dissertations on the English Language, with Notes, Historical and Critical;: to Which is Added, by Way of Appendix, an Essay on a Reformed Mode of Spelling, With Dr. Franklin's Arguments on that SubjectWebster, Noah
General
Dissertations on the English Language, with Notes, Historical and Critical;: to Which is Added, by Way of Appendix, an Essay on a Reformed Mode of Spelling, With Dr. Franklin's Arguments on that Subject
Webster, Noah
English language -- Early works to 1800; English language -- Grammar -- Early works to 1800; Spelling reform -- Early works to 1800
This however is but a small part of the inconsistency. In two other
particulars the absurdity is still more glaring.
1. The modern refiners of our language distinguish two sounds of
_u_ long; that of _yu_ and _oo_; and use both without any regard to
Latin or Saxon derivation. The distinction they make is founded on
a certain principle; and yet I question whether one of a thousand of
them ever attended to it. After most of the consonants, they give _u_
the dipthongal sound of _eu_; as in _blue_, _cube_, _due_, _mute_; but
after _r_ they almost invariably pronounce it _oo_; as _rule_, _truth_,
_rue_, _rude_, _fruit_. Why this distinction? If they contend for the
Saxon sound of _u_, why do they not preserve that sound in _true_,
_rue_, _truth_, which are of Saxon original; and uniformly give _u_ its
Roman sound, which is acknowleged on all hands to have been _oo_, in
all words of Latin original, as _rule_, _mute_, _cube_? The fact is,
they mistake the principle on which the distinction is made; and which
is merely accidental, or arises from the ease of speaking.
In order to frame many of the consonants, the organs are placed in
such a position, that in passing from it to the aperture necessary to
articulate the following vowel or dipthong, we insensibly fall into the
sound of _ee_. This in particular is the case with those consonants
which are formed near the seat of _e_; viz. _k_ and _g_. The closing of
the organs forms these mutes; and a very small opening forms the vowel
_e_. In passing from that close compression occasioned by _k_ and _g_,
to the aperture necessary to form any vowel, the organs are necessarily
placed in a situation to pronounce _ee_. From this single circumstance,
have originated the most barbarous dialects or singularities in
speaking English, which offend the ear, either in Great Britain or
America.
This is the origin of the New England _keow_, _keoward_; and of the
English _keube_, _ackeuse_, _keind_ and _geuide_.
There is just the same propriety in one practice as the other, and both
are equally harmonious.
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