Disturbed Ireland : $b being the letters written during the winter of 1880-81Becker, Bernard H. (Bernard Henry)
History
Disturbed Ireland : $b being the letters written during the winter of 1880-81
Becker, Bernard H. (Bernard Henry)
Ireland -- Social conditions; Working class -- Ireland
Beyond Athlone the tone of public opinion improved very rapidly, and
in Roscommon, once a disturbed county, I found plenty of people ready
to laugh with me at the _spectre vert_. There was nothing the matter
in that county. A fair price had been obtained for sheep and cattle,
the harvest had been good, everything was going on as well as
possible. There was some talk, it was true, about disturbances in
Mayo, but there was a great deal of imagination and exaggeration, and
the trouble was confined to certain districts of the county, the
centre of disturbance being somewhere about Claremorris, a market
town, on the railway to Westport, and not very far from Knock, the
last new place of pilgrimage. At Claremorris I accordingly halted to
look about me, and was surprised at the extraordinary activity of the
little place. Travellers in agricultural England, either Wessex or
East Anglia, often wonder who drinks all the beer for the distribution
of which such ample facilities are afforded. A church, a public-house,
and a blacksmith's shop constitute an English village; but there is
nobody on the spot either to go to church or drink the beer. At
Claremorris a similar effect is produced on the visitor's mind. The
main street is full of shops, corn-dealers, drapers, butchers, bakers,
and general dealers in everything, from a horse to a hayseed; but out
of the main track there are no houses--only hovels as wretched as any
in Connaught. It is quite evident that the poor people who inhabit
them cannot buy much of anything. Men, women, and children, dogs,
ducks, and a donkey, are frequently crowded together in these
miserable cabins, the like of which on any English estate would bring
down a torrent of indignation on the landlord. They are all of one
pattern, wretchedly thatched, but with stout stone walls, and are,
when a big peat fire is burning, hot almost to suffocation. When it is
possible to distinguish the pattern of the bed-curtains through the
dirt, they are seen to be of the familiar blue and white checked
pattern made familiar to London playgoers by Susan's cottage as
displayed at the St. James's Theatre. The chest of drawers is nearly
always covered with tea-things and other crockery, generally of the
cheapest and commonest kind, but in great plenty. House accommodation
in Claremorris is of the humblest character. At the best inn, called
ambitiously Hughes's Hotel, I found that I was considered fortunate in
getting any sort of bedroom to myself. The apartment was very small,
with a lean-to roof, but then I reigned over it in solitary grandeur,
while a dozen commercial travellers were packed into the three or four
other bedrooms in the house. As these gentlemen arrived at odd hours
of the night and were put into the rooms and beds occupied by their
friends, sleep at Claremorris was not a function easily performed, and
it was some foreknowledge of what actually occurred that induced me to
sit up as late as possible in the eating, dining, reading, and
Public-domain text, read in full here on John Shaqi.
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