British -- Germany -- Fiction; Families -- Fiction; Husband and wife -- Fiction
Miles showing no intention of paying the coachman, she paid him herself
out of her own slender purse, and they began the ascent of the narrow
stone steps which led to the heights of their _étage_. She knew that
Miles was rapidly becoming more puzzled, but she made no attempt to
elucidate matters—indeed, could not have done so. Never before had she
found the stairs so endless, so barren, so ugly. The chill atmosphere,
which yet succeeded in being stuffy, seemed to penetrate into every
corner of her heart and weight it down with a leaden depression. She
did not look at Miles when they stood crowded together on the narrow
landing, nor when her little maid-of-all-work, Anna, opened the door and
grinned a more than usually friendly welcome. She led the way into the
so-called drawing-room and switched on the electric light—their one
luxury—half-hoping that some miracle might have mercifully worked among
the plush chairs and covered them with a much-needed elegance. But they
stood as they had always stood, in spite of the most careful arranging
in the world—stiff and tasteless as though they had come out of the
front window of a cheap furniture shop—which, in point of fact, they
had—and would not forget that they were "reduced goods." Nora had a
kind of whimsical affection for them—they were so hopelessly atrocious
that it would have been uncharitable to criticise; but to-night
something like hatred welled up in her heart against their well-meaning
ugliness. She had felt much the same when Frau von Seleneck had first
visited her, but that lady had burst into such unfeigned raptures that
the feeling had passed. But Miles said nothing, and his silence was, if
exclamatory, not rapturous.
Nora turned to him. She was ashamed of her shame, but with all the will
in the world she could only meet his wide-open stare with a sort of
defiance which betrayed that she knew already what he was thinking, that
she had even foreseen it.
"This is the drawing-room," she said lamely. "We don’t often use it,
though. It is not as—comfortable as the others."
"I should hope not," he said. He was looking around him with such real
and blank astonishment that poor Nora could have laughed if the tears of
bitter humiliation had not been so near the surface. Bravely, and with
the recklessness of one who feels that the worst is over and nothing
else matters, she pushed open the folding-doors.
"The dining-room," she said, as though she were introducing a poor
relation of whom she was trying not to be ashamed.
Miles inspected the imitation mahogany table and chairs with his
eyebrows still at an elevated angle, but now less with surprise as with
a supercilious disgust.
"Is this where you have your dinner parties?" he asked.
Nora heard and understood the irony, and it gave her back her nerve and
pride.
Public-domain text, read in full here on John Shaqi.
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