British -- Germany -- Fiction; Families -- Fiction; Husband and wife -- Fiction
How had it all come? Whose fault was it? Poor Nora felt she knew. The
spectre had risen in the same hour when Miles had leant back in the
_Drotschke_ and sighed with relief because Wolff had not accompanied
them. She had been angry at first, but the rough words had revealed
something to her which she would never otherwise have believed,
something in herself which had lain dormant and which now awoke, never
to rest again. It was not Miles’s fault. Had it been, she would not
have hesitated to follow her mother’s advice. But to have sent him away
would be a sign of weakness—and it would be useless. The evil—whatsoever
it was—lay in herself. It had always been there, but she had not
recognised it. Miles had shown her what she must sooner or later have
seen for herself. She had married a stranger from a strange land, and
he had remained a stranger, and the land had not become her home. That
was the whole matter. That she loved him, that his country had offered
her love and welcome did not alter the one great fact that the faintest
cry, the faintest call from her own people had drawn from her an
irrepressible answer of unchanged allegiance. She loved Wolff, but in
every petty conflict between him and her brother her heart had sided
against him; she had had a sincere affection for the Selenecks, and in
cold blood she knew that Miles had behaved boorishly towards them; but
she had grown to hate them because they had shown their disapproval, and
because _he_ hated them.
In this strange, unseen conflict of influences Miles stood for more than
her brother; he stood for her whole race, for every inborn prejudice and
opinion, and his coming had revealed to her her own loneliness. She was
alone in a foreign land; she spoke a tongue which was not her tongue;
she lived a life in which she was, and must remain, a tolerated
stranger. Her seeming compliance had been no more than youth’s
adaptability to a passing change. Her love and her ready enthusiasm had
blinded her, but Miles had torn down the scales from her eyes, and she
saw the life she lived as he saw it—as a weary round of dismal
pleasures, big sacrifices, endless struggle. She saw that her home was
poor and tasteless, that her friends were neither elegant nor
interesting, that they had other ideas, other conceptions of things
which to Nora were vitally important—that they were, in a word,
foreigners to her blood and up-bringing.
Public-domain text, read in full here on John Shaqi.
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