British -- Germany -- Fiction; Families -- Fiction; Husband and wife -- Fiction
features was not all fire-shine, the starlight in the dreamy eyes not
all reflected gleams from the burning logs upon the hearth. Both had
their birth within, where the greatest of all human happiness had been
kindled—but not by Arnold’s hand.
Thus half an hour, and then an hour, slipped past. Lulled by her
thoughts and the absolute quiet about her, Nora sank into a doze. The
firelight faded into the distance, and half-dreaming, half-waking, she
drifted into a chaotic world of fancies and realities. She dreamed at
last that some one called her by name. She did not answer, and the call
grew louder, more persistent. It seemed to drag her against her will
back to full sensibility, and with a violent start Nora’s eyes opened,
and she knew that the voice had not been part of her dreams, but that
Hildegarde was calling her with monotonous reiteration.
"Nora! Nora!"
"Yes, I am here. What is it?"
Nora drew softly to the bedside and took the outstretched hand in hers.
It burnt, as though the feverish sparkle in the wide-opened eyes was but
a signal of an inner devouring fire, and there was something, too, in
the feeble smile which hurt Nora by reason of its very piteousness.
"I ought not to have disturbed you," Hildegarde said in a dry whisper.
"It was selfish of me, but you looked so happy that I thought you could
spare me a moment. I have been so frightened."
"Frightened, dear? Of what?"
"I do not know—of myself, I think."
She turned her fair head restlessly on the pillow, as though seeking to
retrace some thought, and then once more she lifted her eyes to Nora.
They seemed unnaturally large in the half-darkness, and their expression
strangely penetrating. Nevertheless, when she spoke again Nora felt
that they sought rather to convey a message than to question.
"Nora, you will laugh at me—I want to know, have I been talking—in my
sleep, I mean?"
"No."
"I am glad." Again the same half-pleading, half-frightened smile played
about the colourless lips. "I have been having such mad dreams—not bad
dreams—only so—so untrue, so unreal. I should not have liked you to
know them. You might have thought——" She stopped, and her clasp
tightened.
"You know how I love you, don’t you, Nora?"
"Yes, I think so—more than I deserve."
"Not as much, but still, very dearly. That was what I wanted to tell
you. It seems foolish—in the middle of the night like this; but I was
so afraid you would not understand. You do, though, don’t you?"
"Of course." Nora spoke soothingly, but with a dim knowledge that she
had not wholly understood. There was, indeed, a message in those broken
sentences, but one to which she had no key.
Public-domain text, read in full here on John Shaqi.
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