British -- Germany -- Fiction; Families -- Fiction; Husband and wife -- Fiction
"You have been good to me," Hildegarde went on rapidly. "Though you
possess all that makes life worth living, you have not jarred on me with
your wealth. You have not tried to comfort me with the truism that
there are others more suffering than I—such a poor sort of comfort,
isn’t it? As though it made me happy to think that more suffering was
possible—inevitable! When I am ill, I like to think that I am the
exception—that the great law of life is happiness. And you are life and
happiness personified, Nora, and so I love you. I love you so that I
grudge you nothing—shall never grudge you anything. That is—what—I
want—you to understand!" The last words came like a sigh, and there was
a long silence. The earnest eyes had closed, and she seemed to sleep.
Nora knelt down by the bedside, still holding the thin white hand
between her own, and so remained until, overcome by weariness, her head
sank on to the coverlet. Half an hour passed, and then suddenly a rough
movement startled her from her dreams. Again she heard her name called,
this time desperately, wildly, as though the caller stood at the brink
of some hideous chasm.
"Nora! Nora!"
Nora made no answer. She stumbled to her feet and stood half-paralysed,
looking at the features which in an instant had undergone so terrible a
change. Hildegarde sat bolt upright. Her hair was disordered, her eyes,
gleaming out of the ashy face, were fixed on the darkness behind Nora
with a terrible entreaty in their depths.
"Nora! Nora! what have you done?"
Nora recovered herself with an effort. Usually strong of nerve, there
was something in the voice, in the words, which terrified her.
"Hildegarde, what do you mean? What is the matter?"
"Oh, Nora, Nora, what have you done?"
The voice had sunk to a moan so piteous, so wretched, that Nora forgot
the cold fear which for a moment held her paralysed. She tried to press
the frail figure gently back among the pillows.
"Dear, I don’t know what you mean. But you must lie quiet. To-morrow
you can tell me everything——"
Hildegarde pushed her back and put her hand wildly to her head.
"Of course, you can’t help it. You don’t even know. How should you? A
cripple—you would never even think of it. Nobody would—they would laugh
at me or pity me. Wolff pities me now—but not then. Oh, Wolff!
Wolff!"
The name burst from the dry lips in a low cry of pain. Hitherto she had
spoken in English; she went on in German, but so clearly and with such
vivid meaning in tone and gesture that Nora, cowering at the foot of the
bed, felt that she would have understood had it been in some dead,
unknown language.
Public-domain text, read in full here on John Shaqi.
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