British -- Germany -- Fiction; Families -- Fiction; Husband and wife -- Fiction
"Wolff, how good you are to me! Shall we gallop over there to the
bridge? How splendid it is to be alive, isn’t it? Yes, of course I
shall keep the supper waltz for you, if you really want it. We always
have such fun together. Look! There is the Kaiser on the brown horse!
And Wolff is leading the battery with Seleneck! How splendid he looks!
Oh, Wolff! Wolff!"
Again the old cry, vibrating with all the unspoken love and pride and
happiness which the short, disjointed sentences had but indicated! They
had painted for the dazed, heart-stricken listener vivid pictures from
the past—the long, joyous gallops over the open country, the brilliant
ballroom, the parade, all the laughter, the music, the lights, and
chivalresque clash of arms—but in that one name a life had been
revealed, the inner life of a girl ripening to a pure and loving woman.
The tears burned Nora’s eyes. Every word that fell from the delirious
lips struck a deeper, more fatal blow at her own happiness, yet she
could not have fled, could not have stopped her ears against their
message.
"You must work hard, Wolff," the voice went on, sunk to a sudden
gentleness. "Perhaps one day you will do something wonderful—something
that will help to make us the greatest country in the world. How proud
we shall be of you! I am proud already! Steady, Bruno! How wild you
are this morning! One last gallop! Oh, Wolff, don’t look like that! It
is nothing—nothing at all! Only my back hurts. Am I not too heavy? You
are so strong." And then, with a smothered exclamation of anguish:
"Wolff, the doctor says I shall never ride again!"
A long, unbroken silence. The young, suffering face had grown grey and
pinched. There were lines about the mouth which made it look like that
of an old woman. A log fell with a crash into the fireplace. The voice
went on, toneless, expressionless:
"How the light shines on her face! She is so pretty, and she can walk
and ride. She is not half dead, like I am. No wonder he stands and
watches her! Wolff, why do you stand there? Why do you look like that?
Won’t you come and sit by me? No, no, why should you? It is better so.
You play well together. _Tristan und Isolde_—I wonder if it is Fate.
They have gone out riding. I am glad. I wished it. When one is a
cripple one must conquer oneself. I can see them riding through the
park gates. They look splendid together—so handsome and young and
strong. Now they are galloping. Oh, my God, my God! Nora, what are you
doing? Something has happened! Oh, Wolff, Wolff! I know—I know you
love her!"
The voice, which had risen from note to note as though urged by some
frightful inner tumult of fear, now sank to silence. Hildegarde fell
back among the pillows. With that final tragic recognition her mind
seemed once more to be shrouded in oblivion. The look of agony passed
from her features. She was young again, young and beautiful and at
peace.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account