Dixie: A monthly magazine, Vol. I, No. 2, February 1899Various
General
Dixie: A monthly magazine, Vol. I, No. 2, February 1899
Various
American literature -- Southern States -- Periodicals
His feet carried him he knew not whither. In the late twilight he found
himself before the splendid Wareham mansion. He was vexed that he had
not been able to get that kitten and send it to Milly in a big box of
pink roses, like the roses in the old garden. Then he was vexed that he
had not thought to send her the roses anyhow, as soon as he had found he
could not get the kitten. Then he opened the gate, walked springily in
and rang the bell.
Yes, Miss Wareham was at home. The warm lamp-light which had led him
in shone from the room into which he was ushered. Milly was reading by
the lamp itself. She rose to greet him. Her yellow satin gown became
her well and her voice was sweet to his ears. Her words were cordial.
But what Jack noticed to the exclusion of everything else was the very
black kitten he had failed to purchase, tucked under her arm, purring
vociferously, and very becoming, it seemed to his eyes, to the color of
her dress. The instant he saw it he knew what he meant to say to her. And
the look in her eyes told him almost as plainly as the pet she fondled
what her answer would be.
[Illustration]
[Illustration: HERE AND THERE IN MARYLAND
BY EDWARD G. McDOWELL.]
[Illustration: _Near Pen-Mar, Western Maryland Railroad._]
[Illustration: _Old Mill Race, Walbrook._]
[Illustration: _Near Annapolis._]
[Illustration: _In Green Spring Valley._]
[Illustration: _The Old Liberty Road._]
[Illustration: _Tred Avon River._]
[Illustration: _On Gwynn’s Falls._]
[Illustration: _Smith’s Lane, Walbrook._]
[Illustration: HOW RANDALL GOT INTO THE SALON]
It was fully a minute before Joe Randall could summon up his courage to
knock. He was ordinarily a phlegmatic Englishman, not easily moved, but
to-day he was out of breath from an exceptionally long walk, and the
excitement which invariably attends the first visit of an inconsequential
young art student to the studio of a world-renowned painter. At length
he resolutely pulled himself together and rapped. He received in reply
a command, rather than an invitation, to enter. In obedience to the
imperative summons he slowly pushed the massive door ajar and the next
instant perceived he was standing in the actual, awful presence of the
famous Master. The shock produced on him by the sudden change from the
comparative darkness of the hall to the fierce, out-of-door light of the
studio, blinded and troubled him nearly as much as did the contrast of
his own littleness and poverty with the evidences of oppressive affluence
and power before him. In his confusion a large, weather-beaten canvas,
ill-tied and wrapped in an old journal, which he had carried under his
arm all the way over from the Latin Quarter to far-away Montmartre,
slipped from its flimsy envelope and fell with a resounding bang upon
the floor, thereby adding to his already great embarrassment. He stooped
nervously to pick it up, giving vent at the same time to a half audible
“_Bon jour!_”
Public-domain text, read in full here on John Shaqi.
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