Certainly her profile is anything but perfect; her chin projects too
much. In her old age, if she had a hook nose (which she has not), she
would be a mere nut-cracker.
Shall he tell her that? How many disagreeable things he might tell her!
It puts him into quite a good humour with her to think of them.
'Now, about that badger, for instance,' says he.
But at that, against her will, she laughs outright.
'Dear little beast!' she cries maliciously; 'so playful and
affectionate! such a pet!'
She has laughed. That is something gained, at all events. It is not a
nice friendly laugh. On the contrary, it is a very rude, ill-natured
one: she is obviously a rude, ill-natured girl; but it is a laugh.
'You can see for yourself,' pursues he, holding out one of the _menus_
for her inspection, 'that we are only at the first _entrée_; we shall
have to sit beside each other for a good hour more. Lady Roupell does
not want to talk to me; and your neighbour--I do not know who he is, and
I will not ask you, because I know you would not answer me civilly--but
whoever he is, he will not talk to you. I saw you try to make him, and
he would not; he snubbed you. I was avenged! I was very glad!'
Peggy would much rather not have laughed; but there is something that
seems to her so ludicrous in the fact of her abortive advances to Mr.
Evans having been overheard and triumphed at, that she cannot help
yielding to a brief and stifled mirth at her own expense. And, after
all, what he says is sense. He is a very bad man, and she dislikes him
extremely; but to let him observe to her that the news from Afghanistan
seems warlike; or to remark in return that she has never seen the
root-crops look better, need not in the least detract from the
thoroughness of her ill opinion of him, and may make the ensuing hour a
shade less tedious to herself than would entire silence. So she turns
her candid eyes, severely, serenely blue, for the first time, full upon
him, and says:
'I think you are right; I think we had better talk.'
But of course, at that sudden permission to talk, every possible topic
of conversation flies out of his head. And yet as she remains, with her
two blue eyes sternly fixed upon him, awaiting the question or questions
that she has given him permission to put, he must say something; so he
asks stupidly:
'Who is your neighbour?'
'Our vicar.'
'What is his name?' (How infinitely little he cares what the vicar's
name is; but it gives him time.)
'E V A N S,' replies she, spelling very distinctly and slowly, afraid
that she may be overheard if she pronounce the whole name.
'Oh, thanks; and the lady opposite in mourning is Mrs. E V A N S?'
(spelling too).
'She is Mrs. Evans; but she is not in mourning; she is in her
wedding-gown!' replies Peggy, breaking into a smile.
Public-domain text, read in full here on John Shaqi.
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