The dinner is over--the first _tête-à-tête_ dinner that John and Peggy have ever shared. To dine _tête-à-tête_ with her in her own still house, amid her old and homely surroundings, with the summer evening tossing them in its lavish perfumes through the wide-opened windows, would have seemed to him, a month ago, the realisation of his fairest and most hopeless dream. But in their translation into the bald language of reality--the jejune prose of fact--our dreams have a way of losing their finer essence. It has escaped, without our being able to tell whither or by what channel. Over both a sort of wet blanket has fallen. Try as he may, Talbot's temper cannot recover from the poignant disappointment of his lost last evening; and try as she may--broken in, as she is, by a lifetime's habit of self-sacrifice--Peggy cannot hinder the lump from rising in her throat, and the tears from crowding into her eyes, at the reflection that her own hand has cut off, and flung away, the blossoms of these final crowning hours. How many things she had saved to say to him on this last evening--things too tender for her shamefacedness to utter, save under the justification of an imminent severance--things that he would have liked to have heard all through these days, but that she had laid up in the storehouse of her heart as too close and sacred for aught but to sweeten their parting! How can she say them now across a dinner-table, with Sarah coming out and in, Prue sending peevish messages to her, a score of trivial interruptions forbidding any but the most banal talk? It was only with her head on her love's breast, in the dusk of the starshine, that she could ever have found courage to utter them. When will they be uttered now? The present, the brave solid present, is our own, to caress or misuse; but who dares say to the future, that formless form wrapped in uncertain gray, 'Thou art mine'? And now the dinner is over, and they have separated, with spurious coldness. Peggy has vanished upstairs to her sister, and Talbot is left to employ the hours of his last evening as he best may. It is true that Margaret has eagerly begged him to take possession of house and garden, and has held out tearful hopes of snatching here and there a moment from Prue's sick exactions to give him. But his ireful restlessness will not allow him to accept this concession. It would be worse to be within apparent reach of her, yet just beyond her eye and touch, than to be quite outside her domain. He tells her so, half harshly; and opening the gate into the park, takes himself and his ill-temper to the oaks and the deer for consolation.