With a feeling akin to stupefaction Peggy realises that it is Mr. Evans,
and not Freddy, who is Prue's companion. As they approach he rises
reluctantly. He had much rather that they had not come. Prue never wants
to talk to him. She lets him sit and silently ruminate and dream beside
her; a cigarette between his lips, and a blessed oblivion of dissenters,
boys' schooling, girls' ugly faces, rickety baby, Christmas bills,
invading his lulled brain. Prue neither rises nor changes her position.
Her arms lie listlessly on her lap, and she is staring up at Cassiopeia,
the one constellation for ever exalted above its fellows by having had
Freddy Ducane for its exhibitor.
'Do you think you are quite wise to sit out here, with nothing over your
shoulders?' asks Margaret, stooping over her sister, and speaking in a
tone of such exceeding gentleness as positively to astound Talbot, who
had not calculated upon the existence of such tones in a voice which has
conscientiously employed only its harsher keys for his benefit.
'I am not cold,' replies Prue dully.
'How long have you been here? Long?'
'I do not know.'
'We were too comfortable to take note of time, were not we, Miss Prue?'
says Mr. Evans, with a sigh for his lost peace. 'A southern moon, is not
it?' to Talbot.
'Quite long enough, I am sure,' rejoined Peggy, putting her hand
persuasively on her sister's shoulder. 'Come with us! come!'
Talbot cannot help hearing that 'Come!' even while exchanging original
remarks upon the stars of the southern hemisphere with the vicar; nor
can he further help speculating as to whether, if that 'Come!' were
addressed to himself, and were inviting him to follow it to Lapland, to
Hong Kong, or to some yet hotter place, he should have the force of mind
to decline. But at all events Prue has.
'I had rather stay here,' replies she, _sotto voce_, with an accent of
miserable irritation. 'Why should I come? Nobody wants me; nobody misses
me! Please leave me alone.'
There is nothing for it but to comply. With a heavier heart than that
with which she reached it, Margaret leaves the bench and its ill-sorted
occupants. She takes little heed as to the direction of her steps until
she finds herself and her companion approaching the kiosk, whence is
plainly audible the sound of voices, which, as they advance nearer to
it, grows hushed. It is too dark to see into the interior, as above the
little gimcrack temple, memorial of the bad taste of fifty years ago,
rises a brotherhood of tall, spruce firs that project their shade over
and before it.
Public-domain text, read in full here on John Shaqi.
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