'Somehow one never can think of you as wanting any one to be kind to
you,' says Prue half-apologetically; 'it seems putting the cart before
the horse. But,' with a leap back as sudden as an unstrung bow to her
own topic, 'you have not answered my question yet! Oh, I see you do not
mean to answer it! I do not know what reason you can have for not
answering; but, after all, I do not mind. I ought never to have asked
it. I had no business. It was not fair to him. Of course he will not get
tired of me,' sitting up and clasping her hands feverishly together;
'and if he does,' with a slight hysterical laugh, 'why, I shall just die
at once--go out like the snuff of a candle, and there will be an end of
me, and no great loss either.'
CHAPTER XXXII
In order perhaps to give an ostensible reason for her last flying visit
to the empty Manor, or more likely (since she is not much in the habit
of testing the value of her actions by the world's opinion) for her own
solace and consolation, Lady Betty Harborough had taken her little son
with her on her return home; had taken also her daughter, though the
latter's company is a matter of much less moment to her maternal heart.
The departure of the children had, at the time, been an unspeakable
relief to Margaret. The recollection of the poignant pain and
inconvenience she had endured last year from their questions upon John
Talbot's departure, such as, 'When was he coming back?' 'Would not she
like him to come and live with her always?' make her look forward with
dread unutterable to a repetition of such questions, to which her new
circumstances lend an agony lacked by her former ones. How shall she
answer them if they ask her now whether she would like John Talbot to
come back and live with her always? Shall she scream out loud?
It is, then, with untold relief that she hears that they are gone,
whipped off with such promptitude by their parent as to be unable to
make their adieux to the Red House, the fox, and the fondly loved though
freckled Alfred. That they have again reappeared on the scene, she
learns only a couple of days after her interview with milady, by coming
upon them and their nurses suddenly at a turn of the Road. The shock is
so great--Lily is wearing the very same frock and Franky the same hat in
which they had burst into her love-dream on the first morning of her
engagement--that she cuts their greetings, to their immense surprise,
very short, and, under the pretext of extremest haste, breaks away from
their eager little hands and voices.
Public-domain text, read in full here on John Shaqi.
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