'Was it there that you and Freddy went to look for Cassiopeia's Chair?'
inquires Peggy drily; 'and were more than an hour and a half before you
could find her?'
'It is so odd that I had never noticed her before,' cries Prue hastily.
'She is such a queer shape, more like a long straggling W than a chair.'
'And, after all,' continues Margaret slowly, with an uneasy smile, and
not paying any heed to her sister's interpolation, 'she turned out to be
in the kiosk.'
Prue is silent. The little hairy dog has brought her ruined garland back
to her feet; and, holding it between his fore-paws, is painstakingly
biting off each leaf and tendril, and strewing them over the
close-shaven sward. The parrot is going to sleep, standing on one leg,
and making a clacking noise with his beak; not a posture that one would
have thought _à priori_ conducive to slumber.
'It was not a place in which one would have expected to find a large
constellation, was it?' asks Peggy, still with that same rather rueful
smile, and stroking her sister's childish head as she speaks--'the
darkest corner of a kiosk.'
But at that Prue leaps to her feet; and having, in the twinkling of an
eye, twitched the hose out of Jacob's hand, she points it at her sister.
'Mention the word kiosk once more,' cries she desperately, and winking
away a couple of tears, 'and you will not have a dry stitch upon you.'
CHAPTER II
'Ave Maria! 'Tis the hour of prayer!
Ave Maria! 'Tis the hour of love!'
Ave Maria! 'tis the hour of dinner, too; and towards that dinner, about
to be spread at the Big House, the inmates of the little one are
hastening on foot through the park. Brougham have they none; goloshes
and a lanthorn their only substitute. The apricot sunset and the harvest
moon will be their two lanthorns to-night; but upon the goloshes Peggy
has, in the case of her sister, sternly insisted. Hastening through the
park--alternately hastening, that is to say--and loitering, as Prue's
fear of being too late, and Peggy's better-grounded apprehension of
being too early, get the upper hand.
'How calm you are!' cries the young girl feverishly, as Margaret stops
for a moment to
'Suck the liquid air'
of the ripe harvest evening, and admire the velvet-coated stags
springing through the bracken. 'How _can_ you be so calm? Were you calm
at your first dinner-party?'
'I cannot recollect,' replies Peggy, honestly trying to recall the now
five-years-old dead banquet referred to. 'I can only remember that I
felt swelled.'
'Do not you think that we might go on now?' asks Prue, anxiously kicking
one golosh against the other. 'We cannot be much too soon; our clocks
are always slow. It would be awkward, would not it, if we sailed in
last of all?'
Public-domain text, read in full here on John Shaqi.
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