American fiction -- 19th century; Detective and mystery stories
To pass from the eaves to the shed and thence to the ground was the work
of a moment. The crooked branch of an old apple-tree which grew near the
house, was of decided use to him and enabled him to make his risky
descent with comparatively no noise. When he was on the ground, he
stopped and listened, then wheeling rapidly about, proceeded to walk up
the street.
The night was dark and threatened storm. Everywhere there was a sound of
swishing boughs and rattling panes which served to deaden the noise of
his tread on the pavement, but he seemed so anxious not to attract
attention even in the darkness and solitude of this midnight hour that
he stepped into the grass that bordered the road, and even took off his
shoes that no echo might follow his movements.
The course he took led him in an entirely different direction from any
he had traversed during the day. As soon as he reached the point where
the court house stands, he turned east and went up Carberry hill. As
there are but two or three houses on this slope, his destination became
speedily apparent. On the brow of the hill where the wind blows
strongest, stands the old Earle cottage, with its windows closed to
every eye and its untrod doorstep hidden amid weeds that had choked up
the entrance for many a year. In the daylight it had an utterly lonesome
and deserted look, but at night, especially when the moon was hidden and
the winds blew, it possessed a forbidding, almost an ominous look, which
would have deterred anyone whose errand was less pressing than that of
our midnight wanderer, from approaching, much less examining a spot so
given over to solitude. A row of stunted oak trees shielded the house on
one side, and marked off the limits of the deserted garden, where
burdock and thistles grew instead of the homely vegetables and
old-fashioned flowers of years ago. To-night all these trees were
bending one way in the sharp gale, their whistling leaves and the _pat,
pat_ of the long limbs against the clap-boards of the house adding to
the lugubriousness of the scene.
But to the man who stood in the long grass at the rear of this disused
dwelling there was nothing in the hour or place to arouse dread or
awaken apprehension. He studied the house, but not with the eyes of a
dreamer, and when he finally made up his mind to approach the rear door
it was with determination in his face and a certain calculation in his
movement which proved that he was there with a definite purpose.
Public-domain text, read in full here on John Shaqi.
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