France -- Social life and customs -- 19th century -- Fiction
DOCTOR PASCAL
By Émile Zola
Translated By Mary J. Serrano
Contents
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
I.
In the heat of the glowing July afternoon, the room, with blinds
carefully closed, was full of a great calm. From the three windows,
through the cracks of the old wooden shutters, came only a few
scattered sunbeams which, in the midst of the obscurity, made a soft
brightness that bathed surrounding objects in a diffused and tender
light. It was cool here in comparison with the overpowering heat that
was felt outside, under the fierce rays of the sun that blazed upon the
front of the house.
Standing before the press which faced the windows, Dr. Pascal was
looking for a paper that he had come in search of. With doors wide
open, this immense press of carved oak, adorned with strong and
handsome mountings of metal, dating from the last century, displayed
within its capacious depths an extraordinary collection of papers and
manuscripts of all sorts, piled up in confusion and filling every shelf
to overflowing. For more than thirty years the doctor had thrown into
it every page he wrote, from brief notes to the complete texts of his
great works on heredity. Thus it was that his searches here were not
always easy. He rummaged patiently among the papers, and when he at
last found the one he was looking for, he smiled.
For an instant longer he remained near the bookcase, reading the note
by a golden sunbeam that came to him from the middle window. He
himself, in this dawnlike light, appeared, with his snow-white hair and
beard, strong and vigorous; although he was near sixty, his color was
so fresh, his features were so finely cut, his eyes were still so
clear, and he had so youthful an air that one might have taken him, in
his close-fitting, maroon velvet jacket, for a young man with powdered
hair.
“Here, Clotilde,” he said at last, “you will copy this note. Ramond
would never be able to decipher my diabolical writing.”
And he crossed the room and laid the paper beside the young girl, who
stood working at a high desk in the embrasure of the window to the
right.
“Very well, master,” she answered.
Public-domain text, read in full here on John Shaqi.
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