France -- Social life and customs -- 19th century -- Fiction
The silence had become so complete, so profound, that Clotilde lifted
her eyes for a moment from Pascal’s face to look around the room. She
saw only vague shadows—the two tapers threw two yellow patches on the
high ceiling. At this moment she remembered the letters he had written
to her, so short, so cold; and she comprehended his heroic sacrifice,
the torture it had been to him to silence his heart, desiring to
immolate himself to the end. What strength must he not have required
for the accomplishment of the plan of happiness, sublime and
disastrous, which he had formed for her. He had resolved to pass out of
her life in order to save her from his old age and his poverty; he
wished her to be rich and free, to enjoy her youth, far away from him;
this indeed was utter self-effacement, complete absorption in the love
of another. And she felt a profound gratitude, a sweet solace in the
thought, mingled with a sort of angry bitterness against evil fortune.
Then, suddenly, the happy years of her childhood and her long youth
spent beside him who had always been so kind and so good-humored, rose
before her—how he had gradually won her affection, how she had felt
that she was his, after the quarrels which had separated them for a
time, and with what a transport of joy she had at last given herself to
him.
Seven o’clock struck. Clotilde started as the clear tones broke the
profound silence. Who was it that had spoken? Then she remembered, and
she looked at the clock. And when the last sound of the seven strokes,
each of which had fallen like a knell upon her heart, had died away,
she turned her eyes again on the motionless face of Pascal, and once
more she abandoned herself to her grief.
Public-domain text, read in full here on John Shaqi.
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