France -- Social life and customs -- 19th century -- Fiction
With a gesture he put this dreadful past which he knew from him. He saw
her again young, a tall, pale, slender girl with frightened eyes, a
widow, after fifteen months of married life with Rougon, the clumsy
gardener whom she had chosen for a husband, throwing herself
immediately afterwards into the arms of the smuggler Macquart, whom she
loved with a wolfish love, and whom she did not even marry. She had
lived thus for fifteen years, with her three children, one the child of
her marriage, the other two illegitimate, a capricious and tumultuous
existence, disappearing for weeks at a time, and returning all bruised,
her arms black and blue. Then Macquart had been killed, shot down like
a dog by a _gendarme_; and the first shock had paralyzed her, so that
even then she retained nothing living but her water-clear eyes in her
livid face; and she shut herself up from the world in the hut which her
lover had left her, leading there for forty years the dead existence of
a nun, broken by terrible nervous attacks. But the other shock was to
finish her, to overthrow her reason, and Pascal recalled the atrocious
scene, for he had witnessed it—a poor child whom the grandmother had
taken to live with her, her grandson Silvère, the victim of family
hatred and strife, whose head another _gendarme_ shattered with a
pistol shot, at the suppression of the insurrectionary movement of
1851. She was always to be bespattered with blood.
Félicité, meanwhile, had approached Charles, who was so engrossed with
his pictures that all these people did not disturb him.
“My darling, this gentleman is your father. Kiss him,” she said.
And then they all occupied themselves with Charles. He was very
prettily dressed in a jacket and short trousers of black velvet,
braided with gold cord. Pale as a lily, he resembled in truth one of
those king’s sons whose pictures he was cutting out, with his large,
light eyes and his shower of fair curls. But what especially struck the
attention at this moment was his resemblance to Aunt Dide; this
resemblance which had overleaped three generations, which had passed
from this withered centenarian’s countenance, from these dead features
wasted by life, to this delicate child’s face that was also as if worn,
aged, and wasted, through the wear of the race. Fronting each other,
the imbecile child of a deathlike beauty seemed the last of the race of
which she, forgotten by the world, was the ancestress.
Maxime bent over to press a kiss on the boy’s forehead; and a chill
struck to his heart—this very beauty disquieted him; his uneasiness
grew in this chamber of madness, whence, it seemed to him, breathed a
secret horror come from the far-off past.
“How beautiful you are, my pet! Don’t you love me a little?”
Charles looked at him without comprehending, and went back to his play.
Public-domain text, read in full here on John Shaqi.
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