France -- Social life and customs -- 19th century -- Fiction
“And yet it is complete, it is decisive. Look! I repeat to you that all
hereditary cases are to be found there. To establish my theory, I had
only to base it on the collection of these facts. And indeed, the
marvelous thing is that there you can put your finger on the cause why
creatures born of the same stock can appear radically different,
although they are only logical modifications of common ancestors. The
trunk explains the branches, and these explain the leaves. In your
father Saccard and your Uncle Eugène Rougon, so different in their
temperaments and their lives, it is the same impulse which made the
inordinate appetites of the one and the towering ambition of the other.
Angelique, that pure lily, is born from the disreputable Sidonie, in
the rapture which makes mystics or lovers, according to the
environment. The three children of the Mourets are born of the same
breath which makes of the clever Octave the dry goods merchant, a
millionaire; of the devout Serge, a poor country priest; of the
imbecile Désirée, a beautiful and happy girl. But the example is still
more striking in the children of Gervaise; the neurosis passes down,
and Nana sells herself; Étienne is a rebel; Jacques, a murderer;
Claude, a genius; while Pauline, their cousin german, near by, is
victorious virtue—virtue which struggles and immolates itself. It is
heredity, life itself which makes imbeciles, madmen, criminals and
great men. Cells abort, others take their place, and we have a
scoundrel or a madman instead of a man of genius, or simply an honest
man. And humanity rolls on, bearing everything on its tide.”
Then in a new shifting of his thought, growing still more animated, he
continued:
“And animals—the beast that suffers and that loves, which is the rough
sketch, as it were, of man—all the animals our brothers, that live our
life, yes, I would have put them in the ark, I would give them a place
among our family, show them continually mingling with us, completing
our existence. I have known cats whose presence was the mysterious
charm of the household; dogs that were adored, whose death was mourned,
and left in the heart an inconsolable grief. I have known goats, cows,
and asses of very great importance, and whose personality played such a
part that their history ought to be written. And there is our Bonhomme,
our poor old horse, that has served us for a quarter of a century. Do
you not think that he has mingled his life with ours, and that
henceforth he is one of the family? We have modified him, as he has
influenced us a little; we shall end by being made in the same image,
and this is so true that now, when I see him, half blind, with
wandering gaze, his legs stiff with rheumatism, I kiss him on both
cheeks as if he were a poor old relation who had fallen to my charge.
Ah, animals, all creeping and crawling things, all creatures that
lament, below man, how large a place in our sympathies it would be
necessary to give them in a history of life!”
Public-domain text, read in full here on John Shaqi.
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