Save an occasional fit of cholera-morbus, I had never experienced
anything even remotely approaching the tender passion. But on the
evening of the eventful Wednesday, Sandie Goatie invited me to go with
him and see his sister.
Now my friend Sandie is not a scholarly person, and has never received
that questionable blessing, a college education. He always says
"cod-fish" instead of "bona fide," and calls "tempus fugit" "pork and
beans;" the only "Jupiter" he knows is a sable gentleman, and his only
idea of "Venus," is a colored washerwoman, who in early life got up his
hebdomadal linen.
But his sister is eminently classic; she stoops fashionably, with the
"Grecian bend"--has a Roman nose, and her name is Calanthe Maria.
I went to see that sister--I _saw_ that sister--I surrendered.
That seraphic sister--to attempt a description of her beauty, would be
insanity itself. I will only mention her hair, and when I have said that
this was sublime and divine, I wish it distinctly understood that I use
these feeble terms, because the poverty of our language does not afford
adjectives of adequate force.
The instant I saw her, my presence of mind deserted me. I felt
bashful--I was conscious that I looked like a fool in the face, and my
apparel, (on which I had prided myself), seemed as unworthy to be seen
in her presence, as if it had been bought second-hand in Chatham street.
Beneath the glance of her brilliant eyes, my feet seemed to grow too
short, and my legs too long--my coat too big, and my collar limpsy, and
I discovered a grease spot on my vest. Never had I been so shamefaced in
the feminine presence before, and my bashfulness only temporarily
deserted me, when, after much tribulation, I achieved a seat on a clumsy
looking foot-stool, which I understood was called an "Ottoman." Whether
or not it had any connection with Turks, turkeys, and Thanksgiving, I
failed to discover.
Left alone a short time, I had leisure to recover myself, and to note
the individual charms of my fair enslaver. A partial inventory of her
visible apparel is ineffaceably stamped upon my mind.
A silk dress, of a pattern which seemed to have been designed for a
gigantic checker-board, made with a train to do scavenger duty, and
short sleeves, with lace curtains underneath--her neck and shoulders
hidden from view by a thin veil of transparent lace, of a pattern
designedly made to attract attention--but particulars are omitted.
Suffice it to say, that she was dressed as the prevailing fashion seems
to demand.
Public-domain text, read in full here on John Shaqi.
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