At first, majestic as it should be, but soon his left hand began to get
unruly among the bass notes, then the right cut up a few monkey shines
in the treble; left threw in a large assortment of quavers, right led
off with a grand flourish and a few dozen variations; left struggled
manfully to keep up, but soon gave out, dead beat, and after that went
back to first principles, and hammered away religiously at Old Hundred,
in spite of the antics of its fellow; right struck up a march, marched
into a quick step, quickened into a gallop; left still kept at Old
Hundred; right put in all sorts of fantastic extras, to entice the left
from its sense of propriety; left still unmoved; right put in a few bars
of a popular waltz; left wavers a little; right strikes up a favorite
polka; left evidently yielding; right dashes into a jig; left now fairly
deserts its colors and goes over to the enemy, and both commence an
animated hornpipe, leaving poor Old Hundred to take care of itself.
Then with a crash, a squeak, a rush, a roar, a rumble, and an expiring
groan, the overture concluded and service began.
First, a prayer; then a response; prayer; response; by the priest and
people alternately, like the layers of bread and butter, and ham and
mustard in a sandwich; then a little sing, then a little preach, then
more petitions and more responses.
Damphool read the entire service, Minister's cues included, and sung
all the hymns. I noticed that Bull Dogge gave all the responses with a
great deal of energy and vigor. He said he always liked to come to this
kind of Church, because when they jawed religion at him, he could jaw
back.
Kept as cool as I could, but could not help looking round now and then
to see the show.
Elderly lady on my right, very devout, gilt edged prayer-book,
gold-covered fan, feathers in her bonnet, rings on her fingers, and for
all I know, "bells on her toes."
Antiquated gentleman in same slip, well preserved but somewhat wrinkled,
smells of Wall street, gold spectacles, gold-headed cane, put three
cents in the plate.
Fashionable little girl on the left--two flounces on her pantalettes,
and a diamond ring _over_ her glove.
Young America looking boy, four years old, patent leather boots,
standing collar, gloves, cane, and cigar case in his pocket.
Foppish young man with adolescent moustache, pumps, legs _a la_
spermaceti candles, shirt front embroidered _a la_ 2.40 race horse,
cravat _a la_ Julien, vest _a la_ pumpkin pie, hair _a la_ soft soap,
coat-tails _a la_ boot-jack, which when parted discovered a view of the
Crystal Palace by gas-light on the rear of his pantaloons, wristbands
_a la_ stove pipe, hat _a la_ wild Irishman, cane to correspond; total
effect _a la_ Shanghae.
Public-domain text, read in full here on John Shaqi.
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