At length the curtain went up--two men came on and said something, then
two others came on and did something--then the scene changed, and some
others came on and listened to a shabby-looking general, who seemed to
be their "magnus Apollo" and who certainly was very long-winded.
Nothing decisive, however, came to pass until the long-expected entrance
of the great Hellitisplit himself eventuated.
I must confess that I was awed by the terrific yet serene majesty of his
appearance. When I saw the tragic, codfishy expression of his eyes, I
was surprised; when I observed the flexibility of his capacious mouth,
opening and shutting, like a dying mud sucker, I was amazed. When my eye
turned to his fingers, which worked and clutched, as if feeling for
coppers in a dark closet, I was wonder-stricken--but when my attention
was called to the magnitude of his legs, I was fairly electrified with
admiration, and could not forbear asking Bull Dogge if those calves were
capable of locomotion.
What-a-bore-O, is supposed to be an Indian Chief, and although it is the
prevailing impression that Indians are beardless, the face of this
celebrated performer proved this opinion to be a physiological fallacy.
For upon his chin he wore a tuft of hair, a round black hirsute knob,
neither useful nor ornamental, but which looked as if somebody had hit
him in the face with a blacking-brush, and a piece had stuck to his
lower jaw.
The admiring audience, who had kicked up perfect young earthquake when
he came on, only ceased when he squared himself, put out his arm and
prepared to speak.
That voice! Ye Gods! that voice! It went through gradations that human
voice never before attempted, imitating by turns the horn of the City
Hall Gabriel, the shriek of the locomotive, the soft and gentle tones of
a forty-horse-power steam sawmill, the loving accents of the
scissor-grinder's wheel, the amorous tones of the charcoal-man, the
rumble of the omnibus, the cry of the driver appertaining
thereto--rising from the entrancing notes of the infuriated house-dog to
the terrific cry of the oyster vender--causing the "supes" to tremble in
their boots, making the fiddlers look around for some place of safety,
and moving the assembled multitude to echo back the roar, feebly, it is
true, but still with all their puny strength.
(Bull Dogge says he got that awful voice by eating pebble-stone
lunches, like the man in the book.)
Public-domain text, read in full here on John Shaqi.
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