I know that many people in this country have seen the Irish Players and felt their work was a great contribution to the drama, but I doubt if any one here can realize what it means to see upon the stage a play dealing with your hopes and fears just at a time when one or the other are about to be realized. For ten years the world has watched with interest as these plays were staged, as poetry appeared which seemed to have a new note in it. The world called it a "Celtic Revival." England, too, was interested, for these Irish playwrights, poets, and painters served to stimulate her own artists. What if some of the sagas, revived by archæologists, _did_ picture Irish heroism? What if the theme of play or poem _was_ a free Ireland? What if school-boys under a Gaelic name _did_ play at soldiering? "Dangerous?" some one asked. "Nonsense!" retorted mighty England. "Would poets, pedagogues, and dreamers dare to lead the Irish people against the imperial power that had dominated them for centuries? Unthinkable!" England has never understood us so little as in these last ten years. Our pride was growing tremendously--pride not in what we _have_, but in what we _are_. The Celtic Revival was only an expression of this new pride. It was on the eighteenth of April that a member of the Dublin town council discovered that the British meant to seize all arms and ammunition of the Irish Volunteers and Irish Citizen Army. History was repeating itself. It was on an eighteenth of April that American colonists discovered the British intention of seizing _their_ arms and ammunition at Concord. In both cases revolt was made inevitable by this action. What the reason was that led immediately to such an order being given to the British military authorities in Dublin, I do not know. It had to do with conscription, of course, and it may have been quickened by the resistance of the Irish Citizen Army to the police. Madam told me that, a short time before, the police had attempted one noon to raid Liberty Hall while they supposed the place was empty. By the merest accident, she and Mr. Connolly, with one or two others, were still there. The object of the raid was to get possession of the press on which was printed "The Workers' Republic," a paper published at the hall by Mr. Connolly. When the first members of the police force entered, Connolly asked them if they had a warrant. They had none. He told them they could not come in without one. At the same time the countess quietly drew her revolver and as quietly pointed it in their direction in a playful manner. They understood her, however, and quickly withdrew to get their warrant. Immediately Connolly sent an order for the Citizen Army to mobilize. How they came! On the run, slipping into uniform coats as they ran; several from the tops of buildings where they were at work, others from underground. More than one, thinking this an occasion of some seriousness, instantly threw up their jobs.