And then as we clumped down the stairs and into the street again the engineer made a remark that I must go back a little to make understandable. “Rather a case of ‘the sublime to the ridiculous,’ isn’t it?” he said, and in that he was referring to the works we had been over that morning and had just left. I had been shown these as a good sample of what a “converted” works could do. In pre-War days the firm were makers of a certain part of railway locomotives. They were entirely specialists in this work, and employed many specialist hands and a vast amount of specialist machinery on it. But now the whole of their locomotive work has been set aside, and the whole energy of the shops is turned on to war work. Some of the old machines, lathes, and so on had been ingeniously adapted by the making and fitting of new tools to their new work, and other new munition machinery has been introduced wholesale. We walked through huge rooms filled with heavy lathes, grinding, scraping, and screaming on the boring and turning of blocks of steel that were growing swiftly under our eyes to the familiar shape and semblance of shells. We followed the rough steel billets through all their processes, the shaping and smoothing of outside and inside, the grooving of the base to take the copper driving band, the cunning scoring out of a “wave line” in the groove, the fitting on of the copper band and its clutching in a giant steel-fingered closing and opening hand that squeezed the copper inexorably into its place and tightly into the “wave line,” there to grip and prevent it slipping under the terrific wrench and spin the rifled gun would give it. This “banding press” was a new machine just installed and putting through its first shells while we were there. It was merely another word in the same story I have heard throughout the munition works. “It will speed up the output a good deal,” said the manager complacently as we watched. “We’ll be doing another so-and-so per cent. when it’s running.” In another vast chamber we saw “pineapple bombs” or hand grenades being made--“pineapple” being a neat description of the shape and criss-cross pattern of lines marking the segments into which the grenade bursts. In the foundry the floor was covered with rows upon rows of square-shaped, dark-grey boxes, and with other square boxes bearing what looked like the impressions of small dumb-bells. Men were busy about these boxes, the moulds for the casting of the bombs, and at one end of the room other men were tapping and prodding at an up-ended boiler-looking arrangement. From this, when the clay stopper had been knocked out, a jet of molten metal shot in a glowing, pinky-red stream running like water from a tap into the heavy bucket in place to receive it. When the bucket filled, a fresh plug of clay stopped off the stream, and instantly the bucket swung off, swaying in the grasp of chains and hooks that ran on overhead rails to the waiting moulds.