Domestic folk-loreThiselton-Dyer, T. F. (Thomas Firminger)
History
Domestic folk-lore
Thiselton-Dyer, T. F. (Thomas Firminger)
Folklore; Superstition
Another curious custom which was once practised in different parts of
the country was that of the elder sister dancing in a hog's trough
in consequence of the younger sister marrying before her. "Upon one
occasion," says Mr. Glyde in his "Norfolk Garland," "a brother went
through the ceremony also; and the dancers performed their part so
well that the trough itself was danced to pieces." It was considered
the most correct thing to dance in green stockings. It was also
customary in former years for elder sisters to dance barefooted at
the marriage of a younger one, as otherwise they would inevitably
become old maids. Hence Katharine says to her father, in allusion to
Bianca:--
"She is your treasure, she must have a husband.
I must dance barefoot on her wedding-day,
And for your love to her lead apes in hell."
The last line, the meaning of which, however, is somewhat obscure,
expresses a common belief as to the ultimate fate of old maids.
Malone, on this passage, remarks that in Shakespeare's time "to lead
apes" was one of the employments of a bear-ward, who often carried
about one of those animals along with his bear.
Referring in the next place to some of the chief ceremonies
associated with marriage, we may note that "the putting up of the
banns" is not without its superstitions, for in the North of England
it is considered highly unlucky for a young woman to be present at
church when this important event takes place, any children she may
hereafter have running the terrible risk of being born deaf and dumb.
Thus, a Worcestershire girl, some years since, refused to attend
church and hear the publication of her own banns, lest by doing so
she should bring the curse of dumbness on her offspring. She stated
that one of her friends had transgressed this rule "by hearing
herself asked out at church," and in due course had six children, all
of whom were deaf and dumb. Again, the wedding-cake, without which
no wedding would be considered complete, is evidently a survival of
the symbolical corn-ears originally worn by the bride, and which in
after-times were made into cakes and sprinkled upon the bride's head.
In course of time these cakes were by degrees converted into one
large mass, enriched with almond paste; and that the ingredients of
a wedding-cake in the seventeenth century did not differ materially
from one at the present day may be gathered from Herrick, who says:--
"This day, my Julia, thou must make,
For mistress bride, the wedding-cake;
Knead but the dough, and it will be
To paste of almonds turned by thee;
Or kiss it thou but once or twice,
And for the bride-cake there'll be spice."
Public-domain text, read in full here on John Shaqi.
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