Don Garcia of Navarre; Or, the Jealous Prince. A Heroic Comedy in Five Acts. — John Shaqi
Don Garcia of Navarre; Or, the Jealous Prince. A Heroic Comedy in Five Acts.Molière
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Don Garcia of Navarre; Or, the Jealous Prince. A Heroic Comedy in Five Acts.
Molière
French drama -- 17th century -- Translations into English; Molière, 1622-1673 -- Translations into English
LOP. Pray, charming Eliza, was it ever known that those about great men
minded anything but their own interest, or that a perfect courtier
wished to increase the retinue of those same grandees by adding to it a
censor of their faults? Did he ever trouble himself if his conversation
harmed them, provided he could but derive some benefit? All the actions
of a courtier only tend to get into their favour, to obtain a place in
as short a time as possible; the quickest way to acquire their good
graces is by always flattering their weaknesses, by blindly applauding
what they have a mind to do, and by never countenancing anything that
displeases them. That is the true secret of standing well with them.
Good advice causes a man to be looked upon as a troublesome fellow, so
that he no longer enjoys that confidence which he had secured by an
artful subservience. In short, we always see that the art of courtiers
aims only at taking advantage of the foibles of the great, at cherishing
their errors, and never advising them to do things which they dislike.
EL. These maxims may do well enough for a time: but reverses of fortune
have to be dreaded. A gleam of light may at last penetrate the minds of
the deceived nobles, who will then justly avenge themselves on all such
flatterers for the length of time their glory has been dimmed. Meanwhile
I must tell you that you have been a little too frank in your
explanations; if a true account of your motives were laid before the
Prince, it would but ill serve you in making your fortune.
LOP. I could deny having told you those truths I have just unfolded, and
that without being gainsaid; but I know very well that Eliza is too
discreet to divulge this private conversation. After all, what I have
said is known by everyone; what actions of mine have I to conceal? A
downfall may be justly dreaded when we employ artifices or treachery.
But what have I to fear? I, who cannot be taxed with anything but
complaisance, who by my useful lessons do but follow up the Prince's
natural inclination for jealousy. His soul seems to live upon
suspicions; and so I do my very best to find him opportunities for his
uneasiness, and to look out on all sides if anything has happened that
may furnish a subject for a secret conversation. When I can go to him,
with a piece of news that may give a deadly blow to his repose, then he
loves me most: I can see him listen eagerly and swallow the poison, and
thank me for it too, as if I had brought him news of some victory which
would make him happy and glorious for all his life. But my rival draws
near, and so I leave you together; though I have renounced all hope of
ever gaining your affection, yet it would pain me not a little to see
you prefer him to me before my face; therefore I will avoid such a
mortification as much as I can.
Public-domain text, read in full here on John Shaqi.
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