Though it has not gained a place on the French stage, it nevertheless possesses some fine passages. Molière wished to create a counterpart of _Sganarelle_, the type of ridiculous jealousy, and to delineate passionate jealousy, its doubts, fears, perplexities and anxieties, and in this he has succeeded admirably. However noble-minded Don Garcia may be, there rages within his soul a mean passion which tortures and degrades him incessantly. When at last he is banished from the presence of the fair object of his love, he resolves to brave death by devoting himself to the destruction of her foe; but he is forestalled by his presumed rival, Don Alphonso, who turns out to be the brother of his mistress, and she receives him once again and for ever in her favour. The delineation of all these passions is too fine-spun, too argumentative to please the general public; the style is sometimes stilted, yet passages of great beauty may be found in it. Moreover the jealousy expressed by Don Garcia is neither sufficiently terrible to frighten, nor ridiculous enough to amuse the audience; he always speaks and acts as a prince, and hence, he sometimes becomes royally monotonous. Some scenes of this play have been imitated in _The Masquerade_, a comedy, acted at the Theatre Royal, Drury Lane, 1719, London, "printed for Bernard Linton, between the Temple Gate," which was itself partly borrowed from Shirley's _Lady of Pleasure_. The comedy was written by Mr. Charles Johnson, who "was originally bred to the law, and was a member of the Middle Temple; but being a great admirer of the Muses, and finding in himself a strong propensity to dramatic writing, he quitted the studious labour of the one, for the more spirited amusements of the other; and by contracting an intimacy with Mr. Wilks, found means, through that gentleman's interest, to get his plays on the stage without much difficulty ... he, by a polite and modest behaviour formed so extensive an acquaintance and intimacy, as constantly ensured him great emoluments on his benefit night by which means, being a man of economy, he was enabled to subsist very genteelly. He at length married a young widow, with a tolerable fortune; on which he set up a tavern in Bow Street, Covent Garden, but quitted business at his wife's death, and lived privately on an easy competence he had saved.... He was born in 1679 ... but he did not die till March 11, 1748." [Footnote: Biographia Dramatica, by Baker, Reed and Jones, 1812, Vol. I. Part i.]