Don Sebastian : $b or, The house of the Braganza: An historical romance. vol. 1Porter, Anna Maria
General
Don Sebastian : $b or, The house of the Braganza: An historical romance. vol. 1
Porter, Anna Maria
Sebastião, King of Portugal, 1554-1578 -- Fiction
A soft moonlight distinctly discovered the spot to which Gonsalva had
directed him six days before. He saw the steep romantic bank shading
the road towards which he now turned his steps: as he trod it lightly,
the smell of orange flowers and wild thyme, came mingling from the
hills and the gardens. While his eyes were fixed on the windows of the
tower, where perhaps Gonsalva slept, some low tender sounds caught his
ear: he listened, but they had ceased; the next moment they returned
again; drawing gently nearer he found they proceeded from a lute which
some one was touching at intervals with an unsteady hand, another
pause succeeded: he stood still, and scarcely respired; for now the
voice of Gonsalva was heard singing this canzonet.
“Hast thou, a sleepless pillow prest,
And vainly, vainly sought for rest?
Ah! say, have sighs and tears confess’d
That love was kindling in thy breast?
Alas! if not, why dost thou fly
To haunt my gate, my path, mine eye,
Still looking as thou wanderest nigh
A world of fond idolatry?
O cease, if vanity should be
The only aim that leads to me;
O cease, while yet my heart is free
From hope, and fear, and love, and thee!”
Rapt, enchanted, Sebastian stood listening to this celestial voice: its
thrilling tones revolving in continual sweetness but endless variety,
were like the melodious warblings of a nightingale. The serene Heavens,
the resplendent moonlight, the fragrance of the earth, the transport
and the gratitude of his own heart, all conspired to heighten its
magical effect. Donna Gonsalva had evidently chosen this song because
it pourtrayed a situation like her own; this thought finished the
intoxication of Sebastian, and he vehemently exclaimed, “Angel!”
At this expression, Gonsalva dropped her lute, and flying forward,
uttered a cry of pleasure. “Ah, is it you, ungrateful Fabian!” she
cried: her beauty and her emotion completed the conquest over her
sovereign. She was without a veil, and he now beheld for the first
time, all the charms of that matchless face: traces of tears were on it.
Scarcely conscious of the extreme joy he betrayed, the king uttered a
passionate expression at this visible mark of sensibility; and forcing
his way up the bank through shrubs and roots of trees, got sufficiently
near the object of his tenderness to kiss her hand from the window.
The night breeze blowing among his fine hair, and the moon beams
falling on his white forehead, gave lustre and animation to the noblest
countenance that ever yet united sublimity with beauty: Donna Gonsalva
evidently beheld him with admiration.
Public-domain text, read in full here on John Shaqi.
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