Don Sebastian : $b or, The house of the Braganza: An historical romance. vol. 2Porter, Anna Maria
General
Don Sebastian : $b or, The house of the Braganza: An historical romance. vol. 2
Porter, Anna Maria
Sebastião, King of Portugal, 1554-1578 -- Fiction
At sight of a man coarsely habited and obscured with dust, Donna
Gonsalva uttered a cry of terror; but the action of Sebastian, his
emotion, the well-known touch of his lips and hands, the very
circumstance of his entering by a private way, made him apparent to her:
she turned deadly pale, and sunk upon a seat without speaking.
Her impassioned lover hastened to support her in his arms: “Yes,
Gonsalva!” he exclaimed, in a voice broken by excess of joy--“My own
Gonsalva! it is your Sebastian who now presses you to his enraptured
heart.”
Amazement! Donna Gonsalva struggled in his embrace. Still silent, she
endeavoured to escape from his arms, sometimes appearing on the point of
calling for assistance, and then suddenly checking herself.
The young King hastily threw off his hat and pushed aside his hair;
“Look at me, my beloved!” he exclaimed wildly, “look at me and
acknowledge your Sebastian; changed as my person is, surely my voice,
this agitation--”
“Release me!” interrupted Gonsalva, averting her head still more,--“I
know you not: Don Sebastian is dead.”
The King looked at her with surprize, amounting to stupefaction; “Dead!”
he repeated, “you have believed me dead, and yet live on in health and
beauty--Gonsalva, is this reception acted to try me?--O yes, yes,” he
added, again falling passionately at her feet,--“You cannot have
forgotten me,--you cannot have ceased to love the man who has suffered
so long, so much, and so faithfully.” Again he wrapt his arms round her,
and again she struggled and broke away.
As she fled towards one of the doors, her foot struck against a little
couch and awoke an infant that was sleeping there. At the sound of a
child’s cry, Sebastian was transfixed, but instantly recovering, he
sprung forwards and tearing off the covering mantle, beheld a boy whose
features appeared to mingle those of two well-known faces: his eyes
flashed from the couch to Donna Gonsalva. Covered with confusion, and
scarcely conscious of what she was doing, she hurried back, and threw
herself on the bed to conceal the child.
Pale, aghast, speechless, lost in a mist of frightful apprehensions,
Sebastian remained gazing on her; crowds of agonizing recollections, of
vanishing hopes and wishes, floated confusedly before him. Was this the
welcome he had expected? was this the fond Gonsalva whose gratitude and
friendship he had pledged so liberally to Kara Aziek and to Gaspar? was
this she, for whose dear sake he had slighted, afflicted, and abandoned
the tenderest of hearts.
“Gonsalva!” he sternly said, after a long silence, “you know me, and you
are false. Nay, attempt not to fly;” he added, seizing her arm with an
iron grasp, “stay and explain this damned mystery.”
Public-domain text, read in full here on John Shaqi.
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