Trace stood in the open door, looking at their erstwhile prisoner.
Glodd was their worst danger for the moment. There was no telling how
much of their conversation about the movie he could have understood;
yet even if he'd grasped none of it, he was still the only Graken who
knew where they were--and he was not stupid. Trace had one of the ray
pistols in his hand. Risking everything, he centered it on Glodd and
hauled back the stiff trigger.
Glodd puffed into steam and fire without a sound.
Not one greenie turned his head to see. Not an eye flickered from the
giant screen.
Trace prudently shut the door, and jumped for the nearest aperture
to watch the movie unroll. Bill had managed to lift the volume of
the film even higher, and like a hymn to pandemonium, a paean of
ear-shattering vociferance, the drums roared from the screen. Now the
movement on the two-dimensional roadway was closer, and the front ranks
of countless marching soldiers could be seen. It was an old film clip,
taken in Germany at least seventeen years before: Hitler's legions,
goose-stepping grandly toward the cameras of a world then--however
uneasily--at peace. The soldiers grew, widened, shot higher as they
neared. The drums remained like endless thunder, and with them there
now lifted the for-long-hateful marching song of the Third Reich.
The green men broke. They fled toward the front of the theater,
croaking and squawking, and without doubt their thought-radiating
helmets flung the fear and panic from one to another, filling the hall
and passing through space and metal into the lines of saucers that lay
across the continent and the world. At the front door they were jammed
into a struggling mass; someone with a hold on himself thought of
using his pistol on the locks, and the wave of green erupted into the
dark street.
There was no firing at the screen. The soldiers there had grown to
quadruple human size. "Giants!" whispered Bill to himself. "They think
they're giants!" Then aloud, over the racket from the screen, he said
to Trace, "It's like those natives of India or wherever the hell it
was, who ran out of the movie houses to get away from the locomotives
that were ramming out at 'em from--"
"It's better than that," said Trace. Once more Bill felt that the
sergeant wasn't telling something he knew; but again he shrugged and
let it go. Trace was a smart boy and what happened from now on was up
to him.
Public-domain text, read in full here on John Shaqi.
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