And now, as the evening sun drops lower, what fair city is this that rises in the east, throned like a queen above the silver Charles, many-towered and pinnacled, with clustering roof and taper spire? How proud she looks, yet modest, as one too sure of her innate nobility to need adventitious aid to impress others. Look at the aesthetic simplicity of her pose on the single hill, which is all the mistaken kindness of her children has left of the three mountains which were her birthright. Behold the stately avenues that stretch by bridge and road, radiating her lavish favors in every direction; look at the spreading suburbs that crowd beyond her gates, more beautiful than the parks and pleasure grounds of her less favored sisters. See where she sits, small but precious, her pretty feet in the blue waters that love to dally about them; her pretty head, in its brave gilt cap, as near the clouds as she could manage to get it: her arms full of whatever is rarest and dearest and best. For doesn't she hold the "Autocrat of the Breakfast Table" and Bunker Hill, Faneuil Hall, and Harvard College? Do not the fiery eloquence of Phillips, the songs of Longfellow, the philosophy of Fisk, the glory of the Great Organ, and the native lair of culture, belong to her? Ah! why should we not "tell truth and shame the devil"--doesn't she bring us to the babies and the family doctor? But it is not as a writer of prose that Mrs. Blake has secured a niche in our gallery of literary portraits. Indeed, without knowing it, we have already introduced her poetry to our readers: for we are pleased to find in her volume of collected poems an anonymous piece which we had gathered as one of our "Flowers for a Child's Grave," from a number of _The Boston Pilot_ as far back as 1870. We should reprint page 171 of this volume if it were not already found in our eighth volume (1880) at page 608. The division of Mrs. Blake's poems to which it belongs contains, we think, her best work. Her muse never sings more sweetly than in giving expression to the joy and grief of a mother's heart. The verses just referred to were the utterances of maternal grief: a mother's joy breaks out into these pleasant and musical stanzas:-- My little man is merry and wise, Gay as a cricket and blithe as a bird; Often he laughs and seldom he cries, Chatters and coos at my lightest word: Peeping and creeping and opening the door, Clattering, pattering over the floor, In and out, round about, fast as he can,-- So goes the daytime with my little man.