Donahoe's Magazine, Volume 15, No. 3, March 1886Various
History
Donahoe's Magazine, Volume 15, No. 3, March 1886
Various
Periodicals
The name of Thomas Davis is identified with the rise and progress of
Irish ballad literature. The sound of his spirit-stirring lyre was the
irresistible summons that awoke the sleeping bards of Irish song, bade
them tune their harps in joyous accord, and fill the land with the
thrilling harmony of a new evangel. At the touch of O'Connell, his
country shook off the torpor produced by the drug of penal proscription,
under which she had so long lain listless, almost lifeless. It fell to
the lot of the young Irelanders to perfect the work so successfully
begun; to raise her from the ignoble dust; to teach her the lesson of
courage and self-confidence, and quicken her footsteps in the onward
march for national independence. Thomas Davis was the acknowledged
organizer and leader of this band of conspiring patriots. By birth and
education he was well fitted for the position which he held. His father
was the surviving representative of an honored line of English
ancestors. His mother's genealogy extended back in titled pedigree to
the Atkins of Forville, and to the great house of the O'Sullivans. Davis
was born at Mallow, County Cork, in the year 1814. His early life gave
little indication of future distinction. At school he was remarkable for
being a dull boy, slow to learn and not easy to teach; but in this
respect he resembled many of his countrymen, who, from being
incorrigible dunces, rose to subsequent eminence and repute as great
orators, great poets and great patriots. Goldsmith, while at school, was
seldom free from the cap of disgrace; Sheridan's future was spoken of by
his early preceptor with doleful misgivings and boding shakes of the
head; Curran, till late in life, was known as "Orator Mum." Even at the
Dublin University, from which he graduated in 1835, Davis was remarkable
for being shy and self-absorbed, a quiet devourer of books, and a
passive on-looker in the rhetorical contests, at that time so dear to
enthusiastic young Irishmen. Until the year 1840 he did not seem to be
influenced by any settled code of political convictions. Indeed, his
outward appearance and demeanor betokened more of the English
conservative than of the Irish enthusiast. But a friend, who, in 1836
sat by his side in an English theatre, remembered to have seen the tears
steal silently down his cheeks at some generous tribute paid on the
stage to the Irish character. In the year 1838, he was called to the
bar; and in 1840, became a member of the Repeal movement. During the
discussions which took place in Conciliation Hall, he still maintained
the policy of a simple listener; but in the intervals of debate his mind
was quietly developing new methods of work, new systems to be adopted in
promoting the national cause. The popular taste needed education. Once
made conversant with the history of their country, the people would
acquire a knowledge of their true position, would know how to act in
seconding the efforts of their leaders. The dull should be made
Public-domain text, read in full here on John Shaqi.
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