roadway up the whole steep mountain pass, nothing but large rocks and broken marbles, though the traveller in search of the picturesque is amply repaid the discomfort of the ride. But compared with the village of Lutra, which was the destination of the nuns, this wild and dangerous-looking path is a kind of preliminary paradise. No word-painting of the most realistic school could do justice to the horror of Lutra to-day--and what must it have been there before the refining influence of those nuns touched it? This dirty stone-built and tumble-down village the four nuns entered at eight o'clock, when darkness covered its ugliness, but greatly increased its dangers. The first entrance winds under an intricate line of narrow stone arches, the pavement uneven, the mingling of odors unimaginable. Through this unearthly awfulness they bravely struggled and reached their destination at last. A Father from the neighboring community had heard of their expected arrival, and was already superintending the rough and hurried details of their reception. I saw the house which stands just as it was when the Ursuline nuns first made it their residence. A mud cabin containing two rooms: kitchen and dining-room, bedroom and chapel. The roof is made of stones thrown loosely over wooden beams placed far apart, the two rooms separated by a whitewashed arch instead of a door. There are no windows; but spaces are cut in the walls which served to let in the light and air, and at night were covered by shutters. Hail, rain, or snow, it was necessary to keep these spaces open by day in order to see, and it is not surprising that one of the nuns was soon prostrated by a dangerous fever. The beds were mattresses stuffed with something remarkably like potatoes, and laid on the mud floor at night, upon which the nuns slept a short, ascetic sleep.