Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
General
Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
The Villa Dorio is a large, ancient structure of pale yellow hue; as is
often the case in Tuscany, its façade rises directly from the roadway,
so that any one can drive to the door, and knock by simply leaning from
the carriage. But privacy is preserved all the same by the massive
thickness of the stone walls, by the stern iron cages over the lofty
lower windows, and by an entrance portal which resembles the gateway of
a fortress. The villa, which, in the shape of a parallelogram, extends
round an open court within, is large enough for five or six families;
for in the old days, according to the patriarchal Italian custom, the
married sons of the house, with their wives and children, were all
gathered under its roof. In these later years its tenants have been
foreigners, for the most part people of English and American
birth--members of that band of pilgrims from the land of fog and the
land of haste, who, having once fallen under the spell of Italy, the
sorcery of that loveliest of countries, return thither again and yet
again, sometimes unconscious of their thraldom, sometimes calling it
staying for the education of the children, but seldom pronouncing the
frank word "living." Americans who have stayed in this way for twenty
years or more are heard remarking, in solemn tones, "In case I die over
here, I am to be taken home to my own country for burial; nothing less
could content me." This post-mortem patriotism probably soothes the
conscience.
Upon the Saturday already mentioned the Villa Dorio had but one tenant;
for Mrs. Tracy had taken the entire place for a year--the year 1881.
She could not occupy it all, even with the assistance of Mrs. North and
Dorothy, for there were fifty rooms, besides five kitchens, a chapel,
and an orange-house; she had selected, therefore, the range of
apartments up-stairs which looked towards the south and west, and the
long, frescoed, echoing spaces that remained were left to the ghosts.
For there was a ghost, who clanked chains. The spectre of Belmonte,
another villa near by, was more interesting; he was a monk in a brown
gown, who glided at midnight up the great stairway without a sound, on
his way to the tower. The American ladies had chosen for their use the
northwestern garden. For the Villa Dorio has more than one garden; and
it has also vineyards, olive groves, and the fields of the podere, or
farm, in the valley below, with their two fountains, and the little
chapel of the Holy Well. The northwestern garden is an enchanting spot.
It is not large, and that adds to the charm, for its secluded nearness,
so purely personal to the occupier, yet overhangs, or seems to, a full
half of Tuscany; from the parapet the vast landscape below rolls towards
the sunset as wide and far-stretching as the hidden shelf, one's
standing-point, is private and small. When one ceases to look at the
view--if one ever does cease--one perceives that the nook has no formal
Public-domain text, read in full here on John Shaqi.
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