Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
General
Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
The Casa Corti was not an ordinary pension. In the first place, it had
the distinction of occupying the whole of the Rondinelli palace, with
the great shield of the Rondinellis (showing their six heraldic swallows
sitting on their tails) over its door; in the second, it had been in the
hands of one family for four generations, and was to go down in the same
line. The establishment could accommodate seventy persons. Three-fourths
of the seventy were always English, drawn hither by the fact that Madame
Corti was of English descent. A few Americans were allowed to enter, and
an occasional foreigner was received as a favor. In the _pension_
phraseology the English were "we," their transatlantic cousins "the
Americans," and all the rest "foreigners." As Lorenzo's bell ceased many
doors opened, and from the various quarters into which the old
Ghibelline residence had for its present purposes been divided--from
high rooms overlooking the river and adorned with frescos to low-browed
cells in the attic under the eaves; from apartments that looked upon
small inner courts like yellow wells, wells that resounded with the
jingle of dish-washing from morning till night; from short staircases
descending at unexpected points, and from others equally unlocked for
which mounted from secret chambers in the half-story (chambers whose
exact situation always remained a mystery to the rest of the
house)--from all of these, and from two far-off little dwellings perched
like tents on the roof, came the guests of the _pension_ on their way to
the dining-room and dinner. For they were all guests: the word patron or
boarder was unknown. In the same way the head of the establishment was
not by any means the boarding-house-keeper or the landlady: she was the
proprietress. She had inherited her _pension_ as other people inherit an
estate, and she managed it in much the same autocratic fashion.
When all her guests were seated, this proprietress herself rustled in, a
little late. Her attire was elaborate: a velvet gown made with a train,
an amber star in the hair, and a chain of large amber beads wound three
times round the throat, and falling in a long loop to the belt. She
entered with a gliding step, pressing her dimpled hands together as she
advanced, and giving a series of little bends from the waist upward,
which were intended as general salutation to the company; her smile
meanwhile gradually extended itself, until, as her chair was drawn out
with a flourish by Lorenzo, it became broad enough to display her teeth
as she sank gracefully into her place at the head of her table, and,
with a final bow to the right and the left, unfolded her napkin. Her
duty as regarded civility being now done, she broke off a morsel of
bread, and took a rapid survey of her seventy, with the mixture of sharp
personal dislike and the business views which forced her to accept them
visible as usual in her eyes behind her smile.
Public-domain text, read in full here on John Shaqi.
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