Dorothy Payne, Quakeress: A Side-Light Upon the Career of 'Dolly' MadisonBarnard, Ella K. (Ella Kent)
History
Dorothy Payne, Quakeress: A Side-Light Upon the Career of 'Dolly' Madison
Barnard, Ella K. (Ella Kent)
Madison, Dolley, 1768-1849
This house, with its quaint hipped roof, is standing to-day, and it
needs only a thatched covering, and the peaked dormer windows that were
perhaps there in earlier days, to make it a typical old English cottage.
The two great chimneys have been much changed. In olden times each
served for the four rooms clustered about it, and from which it took
generous corners. Above the great open fire-places were mantels of black
marble, one of which was supported by white figures. These mantels and
the three granite porticos, with their carved steps, were brought
from Scotland by Mr. Forsythe, the builder, as was also the brick for
the lower half-story. The house, too, boasts a dungeon that may have
been used for protection or for the punishment of offenders two hundred
years ago, about which time its building dates. A broad hall ran through
the house, and above either wide doorway the portico roof was supported
by iron brackets. The back door opens on the old garden, where the box
trees still flourish, but the ancient trees around the lawn are veterans
hoary and maimed by the storms of many years.
Here Patrick Henry, already famous, lived, and Dolly Payne, a blue-eyed,
merry little lassie, sat beside her mother in the family room, "the blue
room," with its walnut wainscoting trimmed with pine, and solid walnut
doors, and learned to sew and read. Scotch Town stands on high ground,
and for miles around you can see an unbroken stretch of country. In
colonial days about it were clustered numerous outbuildings, fine
stables and the negro quarters, of which there is now no trace.
Happy days were spent here by the little Dolly. Surely they had few
cares for the little daughter so carefully guarded by "Mother Amy," her
much-loved colored nurse; and there were other slaves to do her bidding.
It was through them, doubtless, that she first heard the horrible story
of the crime of "Negrofoot," now the name of the post-office on an
adjoining plantation. The stranger naturally queries, Why Negrofoot? and
is told the old story of an African slave, a cannibal, owned by a Mr.
Jarman:--how, when the master and mistress were at church one day, he
took the little two-year-old child from its nurse, killed it, and partly
devoured it before its parents returned. The retribution was swift and
terrible. A wild horse was brought, the slave tied to it, and the horse
started on a mad run. Before it had ended, the slave, too, was dead. His
body was then dismembered, and portions nailed up in different parts of
the country. The foot put up here gave the name to Negrofoot-house, and
to the post-office; and doubtless weird stories were told by the
superstitious negroes, who shunned the scenes of the double crime.
[Illustration: Negrofoot House.
Photographed by Samuel M. Brosius.]
Public-domain text, read in full here on John Shaqi.
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