The seat nearest the light gilded railing which divides the choir from
the nave is occupied by three graceful and tastefully attired girls.
Two of them are apparently in devout frame of mind enough, but the third
suffers her gaze to wander in a way which, all things considered, is not
as it should be. Not to put too fine a point upon it, she is evidently
given to looking about her. But the sternest of ecclesiastical
martinets would find it difficult to be hard on the owner of that face.
It is a face to be seen and remembered. A perfect oval, its warm
paleness is lit up by the loveliest of hazel eyes, long-lashed,
expressive, lustrous. Delicate features, and the faintest suspicion of
a smile ever lurking about the corners of the sweetest little mouth in
the world, complete the picture--a picture of dark piquante beauty which
is more than winning. So think, for the hundredth time, more than one
in its owner's immediate vicinity. So thinks for the first time one in
particular, who, from the moment he entered, has done little else but
furtively watch that faultless profile, as well as he is able and under
difficulties, for he is nearly in line with the same. Who can she be?
he is wondering. Is it the Rectory pew, and can it be that the owner of
that rare face is one of the rector's daughters? It may as well be
stated that the stranger's surmise is correct.
And now the congregation rises in a body as a long double file of
surpliced choristers emerges from a side chapel. Then follow the three
officiating clergy in their rich red vestments, attended by acolytes and
taper-bearers in scarlet and lawn; and advancing to the steps of the
high altar, all kneel. The great organ thunders forth like the surging
of many waters, as the first verse of _Veni Creator_ is solemnly
chanted. Then, rising, choristers and priests advance in procession
down the chancel. A thurifer goes first, flinging his censer high in
the air, and the lights, borne one on each side of the great silver
crucifix, gleam redly through a misty cloud. Bright banners move aloft
at intervals above the shining pageant, which is closed by the richly
vested celebrant and his attendants. Quickly the crowded congregation
takes up the grand old plainsong hymn, joining in heartily as the
stately procession wends its way slowly down the nave--a glow of light
and colour--and, making a complete circuit of the spacious building,
re-enters the chancel. The choristers file into their stalls; the
celebrant and his assistants ascend to the altar and incense it in every
part, as amid a great volume of choral harmony the service begins.
Public-domain text, read in full here on John Shaqi.
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