Dostoyevsky, Fyodor, 1821-1881; Dostoyevsky, Fyodor, 1821-1881 -- Criticism and interpretation
The most cunning snares laid
for us by the Evil One are, in Dostoevsky’s reckoning, intellectual
temptations and problems. I do not think it will be going far astray
from my subject if I consider first of all the problems expressing
mankind’s torturing obsessions.... What is Man? Whence comes he and
whither does he return? What was he before birth, what becomes of
him after death? To what Truth can mankind attain?--or even more
pertinently--What _is_ Truth?
With Nietzsche a new problem arose, completely different from the
rest, and far from being absorbed amongst these others, it pressed
straight to the forefront. As a problem it, too, has its torturing
uncertainty--an uncertainty that drove Nietzsche to madness. “What can
mankind accomplish? What can one single man accomplish?” The question
implies the terrible apprehension that man could have been other
than he is, could have accomplished--could yet accomplish--greater
things, whereas he is content to take his graceless ease at the first
halting-place without thought of crowning his progress.
Was Nietzsche actually the first to formulate this question? I dare not
affirm that he was, for I am confident he had already come across the
problem amongst the Greeks and amongst the Italians of the Renaissance.
But with the latter the question was answered immediately, and man
turned eagerly to the domain of practical activity. The solution was
sought and found unerringly in action and in the practice of the
arts. I have in mind Alexander and Cæsar Borgia, Frederick II, King
of the Two Sicilies, Leonardo da Vinci, and Goethe--creators, men of
a superior race. For artists and for men of action the problem of the
_superman_ does not exist, or is at least readily solved. Their very
lives and activity provide an answer in themselves. The torturing
dread begins when the problem is left unsolved, or when the interval
between question and answer is protracted. The being who thinks and
invents and does not act brews his own poison draught. Hearken again to
William Blake: “_He who desires but acts not, breeds pestilence_”--the
pestilence that proved mortal to Nietzsche.
“What can a man accomplish?” is the atheist’s characteristic query, and
Dostoevsky exquisitely realized the fact that to deny God is inevitably
to exalt man.
God a myth?... Then everything is lawful! We find this idea in _The
Possessed_ and it is repeated in _The Karamazovs_:
“If God exists, all is His will, and from His will I cannot escape.
If not; it’s all my will and I am bound to show self-will.”[101] How
can a man assert his independence? Again begins that torturing dread.
Everything is possible. Is it? Everything? What can one man accomplish?
Public-domain text, read in full here on John Shaqi.
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